The Cowley Abbott team could not be more excited to present these artworks for sale this evening @globeandmailcentre. It has been a privilege to handle these works of art and share them with collectors, clients and art lovers.
Join us tonight in-person at Toronto’s Globe & Mail Centre or livestream the two auction sessions from home.
đŽ Live Auction of Important Canadian Art (Session 1) at 4:00 pm EST
đŽ Live Auction of An Important Private Collection of Canadian Art (Session 2) at 7:00 pm EST
Lot 240, Jim Dine, âJimâs Hand Painted Oneâ, lithograph with hand colouring, 66.5 x 38 ins, Fall International Art Auction (Bidding closes November 22nd).
Join Perry Tung as he highlights this exceptional painted and earthenware vase by Pablo Picasso and shares the story of Picasso’s owl. Included in the current International Art Auction. Find further details about the artwork herehttps://cowleyabbott.ca/artwork/AW42199
Katherine has highlighted a selection of both accessible and interesting works.
The
August online auctions are full of great opportunities for the emerging art
collector. Historical and contemporary paintings, photographs, drawings,
sculptures and a variety of prints are divided among four sessions.
The
first session, Canadians at Home &
Abroad includes the work of the Canadian artist couple Frank and Caroline
Armington. The couple met in Ontario but spent over thirty years living
together in Paris and travelling throughout Europe. A number of pieces
documenting their life abroad are featured in the auction, such as Frank
Armingtonâs The Old Quarter in Stockholm
(lot 17) and Halte Hanser an der
Pegnitz, Nuremberg (lot 18), and Caroline Armingtonâs two depictions of
Parisian Bridges: Le Pont Saint-Michel Ă
Paris (lot 19) and Le Pont Neuf,
Paris (lot 20).
Two delicate pencil drawings by Richard Robertson, lots 122 and 123, are a calming duo to hang up in a home. Lot 129 is one of L.L. Fitzgeraldâs famous negative image architectural linocuts, which dates to 1938 but has a timeless feel. For a bold abstract option, Rita Letendreâs Silent Echo II has a strong energy and cool retro colour palette of brown and black.
In the Still Life and Figural Work session, lot 193, Seated Nude by Hugh Mackenzie, is a fine ink drawing with an eye-catching circular format. It is another example of a timeless image, despite it being dated 1968 by the artist. The renowned and talented Molly Lamb Bobak, who is known for her floral watercolour paintings, depicts cosmos so delicately that they appear to be floating (lot 203, Cosmos).
The
final session, The Estate of Barbara
Mercer, offers some colourful and whimsical works such as lot 263 Birthday Love Songs and lot 268 Cat. There is truly something
for everyone in this monthâs auction, and at very accessible price points. We
invite you to browse through the full
catalogue of 276 works and do not hesitate to contact us if you have any
questions, at info@cowleyabbott.ca.
The auctions close on August 23.
Perry, our International Art specialist, highlights a selection of outstanding artworks included in the current Spring Auction of International Art. Take a moment to learn about these fantastic artworks. Bidding closes on June 28th!
Painted the year the artist died, âThe Young Craftsmenâ echoes one of Rosenthalâs best known paintings, âHis Madonnaâ, which was painted the previous year. The similarities seem endless from the likeness of the young boy working in his white shirt with a red handkerchief stuffed into his blue apron to his wooden workbench with his carving tools splayed in front of him and wood shavings littering the floor. However, where âHis Madonnaâ positions the viewer at a more distanced vantage point, âThe Young Craftsmenâ creates a more intimate portrait of the young subject by bringing the viewer in closer to the scene. The boyâs face is turned slightly toward the viewer which invites us into a more personal connection to the sitter.
“The spectacle of the sky overwhelms me. I’m overwhelmed when I see, in an immense sky, the crescent of the moon, or the sun. There, in my pictures, tiny forms in huge empty spaces. Empty spaces, empty horizons, empty plains – everything which is bare has always greatly impressed me.” -Joan MirĂł
Vincenzo Amato was born in Palermo, Italy in 1966; he is primarily known as an actor appearing in numerous films and tv shows. Early in his artistic career he had a couple of exhibitions at gallery Il Gabbiano in Rome. In the early 1990s he arrived in New York for a wedding and never left, continuing to pursue a career as an actor and sculptor, exhibiting his work at the Earl MacGrath Gallery.
In 1935 Kingman submitted a controversial work to Ecuadorâs esteemed Mariano Aguilera Prize. It caused outcry among the conservative jury and was rejected from the competition. However, the following year Kingmanâs peers championed him and the same work won first prize in the same competition. The moment lead to Indigenism being adopted as the dominant artistic style in Ecuador. In the 1930s Kingman painted indigenous workers in a monumental style that emphasized their human suffering. After World War II, he expanded his themes to include all human deprivation to capture the universal humanity of his subjects.âFiguraâ depicts a lone woman, with her head resting in her hands. The artist forms a triangular composition that leads the eye upwards towards the subjectâs half obscured face. The oversized cupped hands magnify her despair with every etched line. The worn, crimson knuckles emphasize her suffering. Kingman was known for his exaggerated, expressive style, which we see here in this lovely example of his work.
A wonderful bench by John Risley, an American designer and craftsman. Risley studied at the Rhode Island School of Design and the Cranbook Academy of Art in Michigan, before moving to the Philippines and later to Taiwan to work for the state department, absorbing influences from those cultures in his work.
Risley produced these benches as a series, some executed in red and some in black. The idea was to make these art objects both functional and decorative.
A member of the ancient house of Troubetzkoy by birth, Prince Paolo (Paul) Troubetzky was the son of a Russian diplomat and American singer Ada Winans. Largely self-taught he did come under the influence of Guiseppe Grandi, an avant-garde sculptor who was associated with the Scapigliatura movement. Troubetzkoy was a passionate animal activist and vegetarian, keeping a menagerie of animals in his studio, which became the subjects of some of his sculptures. He moved in the gilded age circles of the day, sculpting portraits of the rich and famous. In âMaternal Embraceâ, the subtle play of light across the deep modeling of the figures as they emerge from the folds of the dress, captures a tender moment between a mother and her child. The plaster for this work dates from 1898 and is housed in the collection of the Museo Del Paesaggio, Verbania.
The Spring Auction of International Art closes for bidding on Tuesday, June 28th. Find more information about the artworks included in the auction here: https://cowleyabbott.ca/items/1178 and contact our Perry for more information at perry@cowleyabbott.ca.