Tag: art

  • Kurelek Artwork Commissioned for $250 Fetches $82,600 During Fall Live Auction

    William Kurelek, Threshing Outfit Being Brought Lunch (1972)
    William Kurelek, Threshing Outfit Being Brought Lunch (1972)

    November Auction of Important Canadian Art Includes Record-Breaking Sales of Work by Bertram Brooker, Ken Lochhead and Robert Gray Murray

    Toronto, ON (November 20, 2018) – A never before seen painting by renowned Ukrainian-Canadian artist William Kurelek, Threshing Outfit Being Brought Lunch (1972), sold for $82,600 (including buyer’s premium), tens of thousands of dollars of above its original purchase price of $250. The painting made its auction debut this evening at Consignor Canadian Fine Art’s live auction event at the Gardiner Museum in Toronto, ON.

    The painting was purchased directly from the artist in 1972, and remained within the owner’s family until its offering on Tuesday evening. Kurelek met the original owner, a Ukrainian-Canadian student who had just moved to Toronto, at an exhibition of his work at Isaacs Gallery. She indicated to the painter that she couldn’t afford to purchase any of the pieces on exhibit, so Kurelek offered to create a painting that she could afford. At her request, Kurelek painted a panoramic farm scene as a reminder of her family’s farm on the prairies; a connection that he shared with the owner, having a similar upbringing in rural Manitoba.

    The auction highlights also included record-breaking sales of works by Ken Lochhead, Bertram Richard Brooker and Robert Gray Murray.  Lochhead’s Colour Rotation (1964), a rare and monumental canvas by the celebrated modernist painter, sold for $54,280, doubling the previous auction record for the artist. Bertram Brooker’s, Delta Ice House, sold for $82,600, three times above its auction estimate ($25,000 – $35,000) and nearly doubling the artist’s previous auction record. Robert Gray Murray’s Burwash, a striking painted aluminum sculpture, fetched $28,320, more than doubling the previous auction record for the artist’s work.

    Solid auction results were also achieved for:

    • A.Y. Jackson, St. Irenée, Quebec, a classic and compelling Quebec winter village scene by the Group of Seven painter, sold for $94,000, more than double its opening bid
    • A.J. Casson, Storm in the Cloche Hills, an exemplary 1951 dramatic landscape which was featured on the cover of the fall auction catalogue, sold for $118,000, almost doubling its opening bid
    • Marc-Aurèle Fortin, Ste. Rose Paysage, the 1939 vivid Quebec landscape selling for $70,800
    • William Perehudoff, AC-85-81, fetching $33,040, exceeding pre-sale expectation
    • Bill Reid, Haida Medallion Brooch, fetching $29,500
    • Jean Paul Riopelle, Sans titre, the 1965 work on paper by the Quebec abstract master fetching $23,600, exceeding the high-end of pre-sale expectation
    • Maud Lewis, Red Sleigh on a Country Road, the early work by the Nova Scotia folk artist selling for $20,060, exceeding the high-end of expectation (one of three works by Lewis to perform strongly during the evening)

    View full auction results by following this link.

  • Kurelek Masterwork Fetches $472,000 During Record-Breaking Spring Auction

    William Kurelek, Hot Day in Kensington MarketToronto, ON (May 29, 2018) – Consignor Canadian Fine Art’s Spring Live Auction of Important Canadian Art, held Tuesday evening at Toronto’s Gardiner Museum, concluded with stellar results for a wide range of rare and quality artworks which celebrate Canada’s diverse history and culture.

    Among the exemplary works up for bid was the auction debut of William Kurelek’s Toronto series masterpiece, Hot Day in Kensington Market, which more than tripled its opening bid, selling for $472,000 – the second highest auction price on record for the artist (all prices include an 18 percent buyer’s premium, the lowest in the Canadian auction industry).

    A second painting by Kurelek entitled Hauling Hay also easily surpassed its pre-auction estimate, fetching $94,400.

    The most surprising result of the evening was a record set for renowned Canadian war artist, Charles Comfort, whose oil on board titled, Smokestacks, Copper Cliff, sold for $33,040; six-times its auction estimate of $3,000- $5,000. The painting is one of several preparatory sketches to the final canvas, Smelter Stacks, Copper Cliff, which is housed in the National Gallery of Canada’s permanent collection.  The previous record for a Charles Comfort work of art was $20,700 (for Hope Island Light, Lake Huron, sold in 2005).

    Solid auction results were also achieved for:

    • Emily Carr, Logged Land, a 1930s oil on paper on canvas support, sold for a strong price of $377,600
    • A.Y. Jackson, Ruisseau Jureux, 1931 oil on canvas painting sold for $88,500
    • Marcelle Ferron, Sans titre, an important canvas selling for $49,560, by the artist who was a major figure in the Quebec contemporary arts scene
    • Jean McEwen, Les Fiançailles No. 5, large-scale 75” X 75” oil on canvas by Montreal abstract master (auction estimate of $25,000 – $35,000) tripled its estimate at $88,500
    • A striking and rare 22-karat miniature gold sculpture by Haida artist and sculptor Bill Reid, Chief of the Undersea World sold for a strong $129,800
    • Daphne Odjig’s Family Ties, a 36” X 34” acrylic on canvas painted in 1981, which made its auction debut sold for $37,760

    View full auction results by following this link.

    About Consignor Canadian Fine Art

    Since its inception in 2013, Consignor’s live and online auctions have included headline-grabbing works such as a rare 100-year-old Tom Thomson portrait (Daydreaming, sold for $172,500), an undiscovered William Kurelek (Ukrainian Proverb, sold for $41,400), and Jack Bush’s Summer Lake broke online auction records in May 2014 for the most expensive painting by a Canadian artist to be sold at an online auction ($310,500). Consignor’s inaugural live auction event in May 2016 set the record for the highest-selling Algoma sketch by Lawren Harris, fetching $977,500, tripling the previous auction record.

    Consignor Canadian Fine Art is currently accepting consignments for its upcoming auctions, including the June Online Auction of Canadian and International Artwork, with bidding open at consignor.ca from June 6-13, 2018.

  • William Kurelek Masterpiece makes its Auction Debut at Consignor Spring Sale

    A stunning Emily Carr landscape; a 22-karat gold sculpture by renowned Haida artist Bill Reid and a enchanting canvas by trailblazer Daphne Odjig among highlights of Consignor’s Live Spring Auction, taking place May 29th in Toronto

    April 23, 2018 (Toronto, ON) – Consignor Canadian Fine Art will be shining a celebratory spotlight on Canada’s diversity in its upcoming Spring Live Auction of Important Canadian Art on Tuesday, May 29 at the Gardiner Museum in Toronto. The auction debut of William Kurelek’s enduring masterpiece, Hot Day in Kensington Market (1972), is among the exemplary works on offer that reflect Canada’s unique multicultural communities from coast to coast.

    Kurelek’s scene of Toronto’s bustling Kensington Market in the ‘70s depicts various nationalities of the people in the crowds to the local businesses including a Hungarian bakery, Jewish butcher shop and Portuguese fish market. The painting, still in its original frame (crafted by the artist), was one of 21 works by Kurelek that was part of an acclaimed exhibition, Toronto, which the artist described as ‘depicting the soul of the city.’ Although multiple paintings from the series have appeared at auction over the years, this will be the first time that Hot Day in Kensington Market will hit the auction block (auction estimate valued at $150,000 – $200,000).

    “William Kurelek is one of Canada’s most celebrated artists and storytellers, beloved for his whimsical and charming themes ranging from his childhood memories of being raised on a Manitoba farm to his well-known Toronto series,” said Rob Cowley, President of Consignor. “Hot Day in Kensington Market is one of the most popular and appealing of his Toronto scenes, and it is regarded as a significant work by Kurelek collectors, presenting the painter’s unique narrative, celebrating Canadian identity, multiculturalism and the city he loved on a sweltering summer day.”

    Consignor’s Spring auction will also feature two exceptional works from internationally acclaimed artists and Indigenous art vanguards, Daphne Odjig and Bill Reid. Odjig was the driving force behind the Professional Native Indian Artists Association, colloquially known at the time as the ‘Indian Group of Seven,’ and was integral in bringing the profile of Native art and artists to the mainstream foreground. Odjig’s Family Ties, a 36” X 34” acrylic on canvas painted in 1981, has never been offered at auction, coming to the block from a corporate Canadian collection (auction estimate of $30,000 – $40,000).

    Haida artist Bill Reid was considered the unofficial eighth member of the artists group founded by Odjig. He made his mark as a sculptor, renowned for his monumental works depicting Haida art and life. Reid is widely credited with the innovative revitalization of Northwest Coast Native arts and has created jewellery, sculpture and art on various mediums from cedar to jade and precious metals. A striking and rare 22-karat miniature gold sculpture, Chief of the Undersea World (estimated value of $125,000 – $175,000) was carved during the production period of the 18-ft bronze killer whale monument outside of the Vancouver Aquarium. It will be the first gold edition of his iconic killer whale carvings to be offered at auction.

    Other notable Canadian works of art that will be highlighted in Consignor’s live Spring auction include:

    • Emily Carr, Logged Land, 23” x 34.75” oil on paper on canvas support (auction estimate of $275,000 – $325,000)
    • A.Y. Jackson, Ruisseau Jureux, 1931 oil on canvas painting (auction estimate of $125,000 – $175,000)
    • Marcelle Ferron, Sans titre, a major figure in the Quebec contemporary arts scene (auction estimate of $30,000 – $40,000)
    • Jean McEwen, Les Fiançailles No. 5, a large-scale  canvas by Montreal abstract master (estimate $25,000 – $35,000)

    Live previews begin May 1st at the Consignor Canadian Fine Art Gallery located at 326 Dundas Street W. and the auction is currently viewable at consignor.ca. Consignor’s Spring Live Auction of Important Canadian Art will take place on Tuesday, May 29 (7pm) at the Gardiner Museum located at 111 Queen’s Park, Toronto, ON.

  • Un chef-d’œuvre de William Kurelek fait ses débuts aux enchères chez Consignor

    Un paysage magnifique d’Emily Carr, une sculpture en or de 22 carats par le célèbre artiste Haïda Bill Reid et une toile enchanteresse de Daphne Odjig, sont parmi les points saillants de la vente aux enchères de Consignor, laquelle aura lieu le 29 mai à Toronto.

    Consignor Canadian Fine Art soulignera la diversité du Canada lors de la prochaine vente en salle semestrielle qui aura lieu le mardi 29 mai au musée Gardiner à Toronto. Le chef-d’œuvre de William Kurelek, Hot Day in Kensington Market (1972), figure parmi les œuvres exemplaires qui reflètent le multiculturalisme du Canada d’un océan à l’autre.

    La scène animée de Kurelek au marché Kensington à Toronto durant les années 70 représente diverses nationalités parmi les commerces locaux, y compris une boulangerie hongroise, une boucherie juive et un marché aux poissons portugais. Le tableau, toujours dans son cadre original (conçu par l’artiste), était l’une des 21 œuvres de Kurelek qui faisaient partie d’une exposition acclamée, « Toronto », que l’artiste décrit comme « représentant l’âme de la ville ». Bien que de nombreux tableaux de la série aient étés présentés aux enchères au cours des années, ce sera la première fois que Hot Day in Kensington Market sera sur le marché d’enchères (estimation de 150 000 $ – 200 000 $).

    « William Kurelek est l’un des artistes et conteurs les plus célèbres du Canada, bien-aimé pour ses thèmes fantaisistes et charmants, allant de ses souvenirs d’enfance dans une ferme au Manitoba à sa série bien connue de Toronto », dit Rob Cowley, président de Consignor. « Hot Day in Kensington Market est l’une des scènes représentant Toronto les plus populaires et les plus attrayantes, et il est considéré comme un travail important par les collectionneurs de Kurelek, célébrant l’identité canadienne, le multiculturalisme et la ville que l’artiste adorait, lors d’une chaude journée d’été ».

    La vente aux enchères du printemps de Consignor présentera également deux œuvres exceptionnelles d’artistes de renommée internationale et avant-gardistes de l’art autochtone, Daphne Odjig et Bill Reid. Odjig était la force motrice du groupe « The Professional Native Indian Artists Association », familièrement connue à l’époque sous le nom de « The Indian Group of Seven », et a contribué à faire connaître l’art autochtone au premier plan. Family Ties d’Odjig, une acrylique sur toile de 36” X 34″ peinte en 1981, n’a jamais été offerte aux enchères, venant d’une collection d’entreprise canadienne (estimation de 30 000 $ – 40 000 $).

    L’artiste Haïda Bill Reid était considéré comme le huitième membre non officiel du groupe d’artistes fondé par Odjig. Il a fait sa marque en tant que sculpteur, réputé pour ses œuvres monumentales représentant l’art et la vie Haïda. Reid est largement reconnu pour la revitalisation des arts autochtones de la côte du Nord-Ouest; il a créé des bijoux, de la sculpture de divers médiums, y compris du cèdre, du jade et de métaux précieux. Une sculpture rare en or de 22 carats, « Chief of the Undersea World » (valeur estimée de 125 000 $ à 175 000 $) a été sculptée pendant la période de production du monument de 18 pi en bronze à l’extérieur de l’aquarium de Vancouver. Ce sera la première édition en or de ses sculptures emblématiques d’orques à être offerte aux enchères.

    D’autres points saillants de la vente en salle du printemps 2018 de Consignor:

    • Emily Carr, Logged Land, 23” x 34.75” huile sur papier montée sur toile (estimation 275 000 $ – 325 000 $)

    • A.Y. Jackson, Ruisseau Jureux, 1931 huile sur toile (estimation 125 000 $ – 175 000 $)

    • Marcelle Ferron, Sans titre, une figure majeure de la scène artistique québécoise (estimation 30 000 $ – 40 000 $)

    • Jean McEwen, Les Fiançailles No. 5, une toile à grande échelle par un maître peintre Montréalais (estimation 25 000 $ – 35 000 $)

    Les œuvres d’art sont présentement exposées à la galerie Consignor Canadian Fine Art, au 326, rue Dundas Ouest. Pour de plus amples renseignements sur l’exposition et la vente en salle, ainsi que pour accéder au catalogue en ligne, veuillez consulter le site internet consignor.ca. La vente se tiendra le mardi 29 mai, au musée Gardiner (111, Queen’s Park, Toronto).

  • Lawren Harris Record Smashed during Strong Consignor Fall Live Auction

    Lawren Harris, Lake SuperiorLake Superior Fetches $161,100, Almost Tripling Previous Auction Record for a Work on Paper by the Group of Seven Artist

    (Toronto – November 23, 2017) – The preparatory work for of one of Lawren Harris’ most renowned canvases, Lake Superior (I.D. 463) sold for nearly five times its auction value setting a new record for a pencil sketch by the Group of Seven artist, fetching $161,000 (significantly above its pre-estimate of $20,000 – $30,000; all prices include a 15 per cent buyer’s premium, the lowest in the industry). The sketch made its auction debut last night at Consignor Canadian Fine Art’s live auction event in Toronto, smashing the previous record for a Harris sketch of $64,900. The exceptional quality of the sketchpad drawing, once owned by the painter’s wife, Bess Harris, along with its rarity and historical significance, helped to propel the bidding to achieve a new auction standard for a Harris work on paper.

    “Although we anticipated this exceptional work would garner significant interest, we’re thrilled to have achieved a new record result for this important piece of narrative in Harris’s creative process, particularly a sketch that is connected to one of his masterpieces,” said Rob Cowley, President of Consignor Canadian Fine Art. “Today’s results continue to illustrate Harris as one of our country’s most celebrated and iconic artists.”

    Another highlight of Consignor’s fall auction was a watercolour painted in 1911 by Emily Carr during her artistic training in France.  European Street Scene nearly doubled its opening bid to sell for $276,000 (including premium).  The painting was one of many notable works acquired this past summer during Consignor’s Art Roadshow that travelled to 10 cities from coast-to-coast, inviting the public to bring in works of art for valuation. European Street Scene emerged out of the firm’s visit to Calgary during the tour.

    Solid auction results were also achieved for the following works collected from across Canada:

    • A.J. Casson, Bridge Over Humber River, one of the first outdoor sketches by the artist, sold for $32,200, exceeding its pre-sale high estimate. Consigned from a collector in British Columbia.
    • Alex Colville, Recording Line Zero, Near Nijmegen, a rare war-period watercolour fetched $34,500, one of the highest prices ever achieved for a work on paper by the artist. Secured from a collection in New Brunswick.
    • Three Black Cats by Maud Lewis, the most popular subject by the East Coast artist, fetched $20,700 (doubling its opening bid, $10,000 – $15,000). This was another work discovered during Consignor’s Art Roadshow in Ottawa. The painting, inherited from the owner’s mother, was tucked away in the family’s basement for decades. It was secured during Consignor’s summer travels when a friend had alerted the owner to the possibility she owned a popular and valuable Maud Lewis work, after seeing a similar painting in the news that was sold by Consignor in the spring for $36,800 (an auction record for the artist). It was a tremendous evening for the work of Maud Lewis, with all seven works on offer achieving prices in excess of the high-end of pre-sale expectation and one rare, large-scale painting, Team of Oxen Ploughing, selling for $32,200, within reach of Consignor’s existing auction record for the painter.

    Post-War and Contemporary selections attracted fierce bidding throughout the evening auction, with many works achieving prices at or above pre-auction estimates.

    Featured on the front cover of the Fall Auction catalogue, Michael Snow‘s 1958 canvas Off Minor attracted strong bidding on Thursday evening, the rare painting selling for $57,500, at the high end of expectation. The painting had been held in a single Toronto collection for decades following its creation, the Consignor auction its first opportunity for acquisition since the late 1950s.

    Consignor Vice President and Senior Specialist Lydia Abbott shared, “We are thrilled with the performance of our catalogue cover lot by Michael Snow, a result which underscores collector’s interest in the period of the artist’s career as well as the significance of the period in Canadian art history.”

    Two works by Prairies painter William Kurelek captivated collectors during Consignor’s month-long previews, leading to feverish competition within the auction gallery, Arrived Too Early achieving $29,900 (just short of doubling its estimate) and I Hate Water (A Cat’s Loss of Dignity), portraying a feline’s unexpected dip in a pond, selling for $25,300 (exceeding the high-end of expectation).

    Saskatchewan painter William Perehudoff‘s canvases proved to be in demand during the evening, AC-78-20 nearly doubled its opening bid to sell for $27,600, while Arcturus #32 was hammered down at $14,950, to more than double its opening bid after a battle in the auction gallery.

    Consignor Canadian Fine Art closes their fall sale with a November/December Online Auction (with bidding open between November 29th and December 6th). The firm has already begun collecting for their 2018 auctions, including the Spring Live Auction of Important Canadian Art, scheduled to take place in late May (date to be announced).