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  • That’s a Wrap on 2025!

    This past year was an eventful one for Cowley Abbott, and we are grateful to the Canadian art community for their continued support.

    Our November live auction boasts many impressive results, including a 85% sell-through rate, multiple bidding wars, and auction records for works by J.W. Morrice and Lionel LeMoine Fitzgerald. Our 2025 Spring live auction also saw strong results, including artist records for Yves Gaucher, Frances Anne Hopkins, and others. View all 2025 live auction results here.

    2025 saw many “firsts” for Cowley Abbott, including:

    A private sales booth at Art Toronto (October 2025): Our first presence at the fair as an exhibitor, allowing us to showcase select works and connect with new collectors.

    A David Blackwood selling exhibition: Presented in collaboration with the Blackwood Estate, this marked our first selling show devoted entirely to the artist.

    The “Ideas of North” exhibition: Curated by Mark Cheetham, this was our first academically curated thematic exhibition, offering a fresh perspective on northern imagery in Canadian art.

    Our 5 à 7 cocktail events went on tour: We hosted these collector evenings off-site, partnering with both Olga Korper Gallery and Stephen Bulger Gallery.

    Launch of our new website: A major milestone, providing clients with a streamlined browsing and bidding experience across all departments. The website will evolve in early 2026, providing new features and bidding experience, allowing collectors an expansive experience as they continue to collect with Cowley Abbott. Stay tuned!

    Sponsorship of the Helen McNicoll exhibition at the Art Gallery of Hamilton: Proudly supporting scholarship and visibility for an important Canadian woman artist.

    Panel discussion and exhibition tours for our Women’s Group: We expanded our programming with a panel event and two guided exhibition tours.

    Live auction previews in Calgary and Montreal: We continued our recurring preview exhibitions in both cities, welcoming collectors and engaging with local communities.

    In addition to these “firsts”, Cowley Abbott also participated in the following recurring events:

    Art With Heart preview and auctioneering: We once again hosted the official preview for Casey House’s fundraiser Art With Heart, with Rob Cowley and Perry serving as auctioneers for this important fundraising event.

    Valuation days across Canada: We held numerous valuation events nationwide, including at the MacLaren Art Centre, the Ottawa Art Gallery, and the Tom Thomson Art Gallery, as well as a special art presentation at The Rooms.

    Participation in Canadian Art Hop: We took part in this annual cross-Canada celebration of art, connecting with collectors and institutions through coordinated exhibitions and events.

    Thank you for being a vital part of a momentous 2025—a year marked by meaningful collaborations, new initiatives, and continued growth at Cowley Abbott. We are truly grateful for your support and engagement throughout these milestones. We look forward to sharing many more exciting events and projects in 2026 as we continue to celebrate Canadian art together.

  • A Closer Look at Highlights of the Important International Art: The Day Auction

    A Closer Look at Highlights of the Important International Art: The Day Auction

    Our specialists present highlights from our current online auction, featuring prominent twentieth-century artists working across a range of mediums. From standout works by Abstract Expressionists and Color Field artists to a selection of watercolours and drawings by Otto Dix, our Day Auction charts the innovation of artists at the top of their craft.  

    Friedel Dzubas’s Triumphant Return to the Square Format
    Lydia Abbott, Vice President, Director of Fine Art

    Friedel DzubasAfterglow, 1976. Estimate: $40,000 – 60,000

    Afterglow is a magnificent example of Friedel Dzubas’s return to the square format in the 1970s, which felt more normal and organic to him. With the square, he felt he could enter the picture more easily: “I also was comfortable standing into [the surface] and painting around it, which I did in the beginning, and by lying down. I built all kinds of construction to not let it touch the surface, but in the beginning I walked into my square and I painted in a certain logistical, with a certain strategy, painted whatever imagery I wanted to paint.”

    This work truly exemplifies Dzubas’s commitment to exploiting pigment, image, and brushstroke to activate the surface of his paintings. 

    Kenneth Noland’s Classic Purity of Form
    Peter Ohler, Director of Private Sales

    Kenneth Noland, Salander O’Reilly Gallery Exhibition Poster, 1992. Estimate: $5,000 – 7,000

    This unique lithograph pays tribute to Kenneth Noland’s mature works, which follow in the footsteps of Piet Mondrian, “in their classic purity, chromatic breakdown of space and the optical effects of forms which seem to advance and retreat while simultaneously occupying a single plane.” 

    Following his break in the 1950s with Abstract Expressionism, Noland began producing paintings with geometric shapes and bold colour combinations. Elements from his Flares series can be gleaned from this work, with the sinuous bands evoking the complex interplay of colour and form also present in the translucent plexiglass strips.


    Otto Dix’s Masterclass in Pastoral Landscapes
    Perry Tung, Senior International Art Specialist

    Otto Dix, Steckborn, Switzerland from Hemmenhofen, 1949. Estimate: $7,000 – 9,000

    When Julian Dix, the artist’s grandson, sent images of his collection, I was struck by how different these works were, presenting idyllic pastoral scenes and a remarkable study for the 1920 painting Cats.

    It was a joy working with him and learning about this other side of the German artist. As his grandson describes: “These works of my grandfather have been in our family since his passing in 1969, and there is an intimacy about them that reveals the artist’s hand, and offers a rare glimpse into Otto Dix the man. These are what I categorize as the quiet works of my grandfather—no provocation, and away from the spotlight of political scrutiny.”


    A Timeless Still Life by Robert Mapplethorpe
    Katherine Meredith, Senior Specialist and Appraiser

    Robert Mapplethorpe, Apples and Urn, 1987. Estimate: $15,000 – 20,000

    I was instantly drawn to this photograph for its balance of elegance and restraint. Robert Mapplethorpe elevates everyday objects into something timeless and sculptural. The velvety blacks and perfectly controlled composition create a sense of stillness and quiet drama. It is a work that feels both classical and contemporary. I like how it is an unexpected subject matter for the artist. Mapplethorpe’s still lifes reveal his obsession with form, balance, chiaroscuro, and classical beauty, without the charged emotional or cultural context of his figurative work.

    Francis Bacon’s Poignant Meditation on Bullfighting
    Catherine Lacroix, International Art Specialist and Appraiser

    Francis Bacon, After Study for Bullfight #1, 1969 (Sabatier 10). Estimate: $20,000 – 30,000

    This striking work was inspired by Francis Bacon’s triptych of bullfight paintings from 1969, which celebrates this ancient ritual that remains popular in Spain. This colour lithograph was initially issued as the main image on the poster advertising Bacon’s retrospective of paintings in October 1971 at the Grand Palais in Paris.

    His series of bullfight scenes pay homage to Bacon’s enduring interest in exploring the intersection of human and animal, of the wild brutality that animates all of us. By capturing the beauty within the liminal state between life and death, the Irish-born artist offers a poignant meditation on the true nature of mankind.

    Discover other highlights from our Important International Art: The Day Auction, which will close on November 28th at 12 PM (EST).

  • A Look At Cowley Abbott Valuation Days

    A Look At Cowley Abbott Valuation Days

    Cowley Abbott kicked off our first valuation days of the 2025 season in Toronto on February 12th and another on March 19th. It was at these valuation days that specialists consigned a W.J. Phillips and provided a valuation for a Joyce Weiland artwork.

    From February 20th – 27th, President Rob Cowley and Senior Art Specialist Anna Holmes travelled the east coast beginning in Charlottetown, P.E.I., making stops in Halifax, Nova Scotia and ending in Fredericton, New Brunswick. During this trip our team spoke with the press, including CBC radio and tv in Charlottetown, Global and CBC in Halifax (view here), and CBC radio in Fredericton; and of course, valued incredible works of art. Rob also had the opportunity to speak to students at Dalhousie University in Nova Scotia about the auction world and an important private collection.

    A range of regional artists were viewed at our east coast valuation days, such as A.Y. Jackson, Mary Pratt, Frederick Arthur Verner, A.J. Casson, Maud Lewis, Molly Lamb Bobak. International artist highlights included a work by Pablo Picasso. We were also entrusted with some incredible consignments, including a canvas by Yves Gaucher and a canvas by Fern Coppedge which will both be offered in our upcoming live auction.

    Also while on the East Coast Rob had the opportunity to speak with students from Dalhousie University in Nova Scotia about the auction market and an important private collection.

    On April 3rd, our valuation day was hosted by The Agnes Etherington Art Centre in Kingston, Ontario, where Rob Cowley gave a talk on “Artwork Tales”. This talk focused on exciting highlights sold at Cowley Abbott such as Ukrainian Proverb by William Kurelek, Algoma (Algoma Sketch 48) by Lawren Harris and DHead XLVI by David Bowie. 

    Rob also discussed the amazing results from the Private Collection auctions in 2023/2024 and highlighted the Joyce Putnam Bequest of paintings that the Agnes Etherington Art Centre has in their collection, which consisted primarily of Group of Seven works. It was a valuation day to remember and a huge thank you to all who joined the talk!

    Our April 6th Valuation day saw Canadian Art Specialist Eryn Brobyn and Senior Canadian & International Art Specialist Perry Tung travel to the Art Gallery of Hamilton where they were delighted to value works by Andy Warhol, Alexandra Luke, and Tom Hodgson.

    Our firm looks forward to the valuation days of this upcoming season, including a visit to Niagara on the Lake at The Riverbrink Museum on April 25. We thank everyone for their participation in our valuation days. 

    For more information on valuation days and upcoming events visit cowleyabbott.ca and follow us on social media!

  • Rob Cowley speaks with CTV Vancouver about Cowley Abbott’s National Valuation Tour

    Rob Cowley speaks with CTV Vancouver about Cowley Abbott’s National Valuation Tour

    Rob Cowley visits CTV Vancouver to chat with Keri Adams about Cowley Abbott’s national valuation tour and the events being held in Vancouver, Victoria, Calgary and Edmonton.

  • Rob Cowley Sits Down with BNN Bloomberg’s Paul Bagnell

    Rob Cowley Sits Down with BNN Bloomberg’s Paul Bagnell

    Rob Cowley visited the BNN Bloomberg studio to chat with Paul Bagnell about the art market and Cowley Abbott’s recent cross country travel.

    Rob speaks with BNN Bloomberg’s Paul Bagnell regarding Cowley Abbott’s ongoing national travels as they collect consignments for their upcoming spring live auction. The discussion then focuses upon a selection of artwork for auction and private sale currently in Cowley Abbott’s care for sale.