Tag: online auction

  • Carmichael Masterwork Sells for $475,000 During Spring Season

    Records Broken & New Traditions Established for Consignor This Season

    Old Orchard, a major 1940 painting by Franklin Carmichael was sold for $475,000 during the spring auction season, the highest price paid for the painter’s work in eight years and one of the highest values ever achieved for the painter’s work by an auction firm.  The price was just one of the many highlights encountered by Consignor Canadian Fine Art this spring.

    The Spring Live Auction of Important Canadian Art, held May 25th, was an evening of new traditions and continued success for Consignor, the auction establishing strong prices for historical, post-war and contemporary works of quality and rarity.  The auction was held for the first time at Toronto’s Gardiner Museum, the downtown venue filled to capacity with an electric environment of excitement palpable from the drop of the hammer on the first lot sold.  The classy and cozy setting was instantly popular with clients, paddles comfortably waving in the air throughout the night.

    Excited bidding participation came through not only in the room, but through spirited telephone and absentee bidding, pushing choice artworks well beyond expectation.  Drawing strong reaction from the room was the sale of Three Black Cats, the small oil painting by Nova Scotia folk artist Maud Lewis fetching a record $36,800 (prices posted include applicable Buyer’s Premium), almost double the previous auction record and five times the presale estimate.  Appreciation for Atlantic Canadian artists continued with David Blackwood’s Fire Down on the Labrador selling for $48,300, doubling its estimate and marking the second highest price ever achieved for the iconic imagery created by the Newfoundlander printmaker.

    Artwork by Tom Thomson and the Group of Seven continued to excited collectors during the spring season, with notable results including: Tom Thomson’s Fallen Timber (Algonquin) selling for $125,000; Edwin Holgate’s Autumn Leaves selling for $75,000; Madawaska, a 20 x 26 inch canvas by A.Y. Jackson fetching $69,000; A.J. Casson’s captivating Old Hotel, Elora selling for $36,800 while Casson’s Byng Inlet fetched $29,900.  Works on paper by the Group saw record prices set with Lawren Harris’ Snow-Covered Trees more than doubling its estimate to reach $50,600 and A.Y. Jackson’s Gulf of St. Lawrence selling for $14,950, both auction records for works on paper by the artists.

    Further historical highlights displayed a love for portraiture from collectors this season with an enchanting Jean Paul Lemieux portrait fetching $48,300; Randolph Hewton’s Portrait of Thomas Archer Esq. selling for $14,950; and Hal Ross Perrigard’s Vere reaching $10,925, each exceeding their pre-sale estimate.

    Post-War and Contemporary Canadian works performed notably during the May 25th live auction with: Ted Harrison’s The Grecian House (Dawson City) selling for $34,500, Sorel Etrog’s “Ferrari red” Sadko fetching $27,600, Paul-Émile Borduas’ Abstract Composition watercolour reaching $21,850 and Rita Letendre’s L’Enchenteur selling for $17,250.

    The May live auction was surrounded by Consignor’s March and June Online Auctions, sales which are carefully catered not only to established collectors looking to supplement their existing collections but also to new collectors who continue to hunt for gems to create an assemblage.  Feverish online bidding led to collectors across Canada and beyond being awarded notable works of art by A.J. Casson, J.W. Beatty, Manly MacDonald, H.S. Palmer, Alan Collier, Yvonne McKague Housser, Goodridge Roberts, Jack Bush, Alex Colville, Norval Morrisseau, David Urban, Angela Leach, and Kim Dorland, among many others.

    We extend our thanks to the consignors, buyers, bidders and clients who helped to ensure another season of success for Consignor Canadian Fine Art.  Preparation has already begun for our fall sales, including the Live Auction of Important Canadian Art (to be held on November 23rd at the Gardiner Museum).  We are currently accepting consignments for the upcoming sales and our team would be delighted to meet with you in our downtown Toronto gallery or during our national travels this summer.  The summer months feature a selling exhibition in the gallery and online, allowing clients the opportunity to consider a variety of work by Canadian artists, available for immediate sale (full listing available here).

  • Demystifying the Art Auction: Advice for Aspiring Collectors

    Ghitta Caiserman-Roth, Lanterns

    With 262 lots in our March Online Auction of Canadian and International Art, we see artwork for sale with a very large range in value. Although the covetable A.J. Casson and Albert Henry Robinson oil paintings garner much attention from seasoned collectors, it is worth noting the remarkable value and quality of the many more modestly priced artworks for sale. While estimates range from $50 to $15,000, there can be a tendency to believe that only the high-profile items are relevant and worthy of attention within the art market. There is also a misconception that art auctions do not offer anything affordable to begin with. The reality is that art of good quality and value can be found at any price, and an art auction can be the ideal place to find it.

    If you have an interest in starting an art collection, an auction is a perfect place to do so and should not be intimidating. The quality and value of the lower estimated artworks can be far superior to something of the same price at a commercial gallery or retail store. I have compiled a selection of nine noteworthy artworks from our March online auction, in a variety of styles and mediums, each of which are estimated to sell for below $1000. As a young professional in the art world, I would like to demonstrate that it can be accessible to all, regardless of one’s budget. The concept of building an art collection does not have to be so far out of reach.

    A few things to keep in mind: The estimate is our prediction of the selling price based on previous sales of similar works at auction – however, it is possible for the work to sell for below or above the estimate. Also note that a buyer’s premium of 15% and applicable taxes are added to the final selling price of an artwork. All of the following artworks are framed, avoiding any extra costs and making it easy to instantly hang up on a wall.

     

    Conyers Barker, Toronto Skyline

    Lot #30
    Ernest C. Barker
    Toronto Skyline
    oil on board
    signed and dated ‘28 lower left; signed, titled and dated 1928 on the reverse
    8.5 x 10.5 ins ( 21.6 x 26.7 cms )
    Estimated: $300.00 – $500.00
    For the Toronto native or admirer of architectural history, this original oil painting illustrates a very early view of Toronto’s skyline – dating to 1928. The semi-abstract composition in mint green and lavender provides a rare depiction of Toronto from a past time.

     

    Ghitta Caiserman-Roth, LanternsLot #90
    Ghitta Caiserman-Roth
    Lanterns
    oil and gouache on masonite
    signed and dated 50 lower right
    22 x 54 ins ( 55.9 x 137.2 cms )
    Estimated: $500.00 – $700.00
    For the year 1950, the artwork has a very contemporary aesthetic to it, in the quasi-abstract lanterns and moody colour scheme. A Montreal native, Caiserman-Roth studied at the Parsons School of Design and Art Student League in New York, as well as the Musee des Beaux Arts in Montreal.

     

    A.J. Casson, Oriental PoppiesLot #132
    A.J. Casson
    Oriental Poppies
    linocut
    signed, numbered 27/30 and dated 1986 in the lower margin
    7 x 7.5 ins ( 17.8 x 19.1 cms ) ( subject )
    Estimated: $400.00 – $600.00
    Casson was a prominent member of the renowned group of Seven, the most internationally recognized association of Canadian artists. While his oil Sombre Day, Lake of Bays is the highest valued artwork in the March auction, the prolific artist produced numerous prints which sell for a more modest price. The brightly coloured flowers of this linocut has a fresh, modern palette and Pop Art quality to it.

     

     

    W. Kurelek, The SlamLot #143
    William Kurelek
    The Slam
    colour lithograph
    signed within plate; signed and numbered 96/225 in the lower margin
    12 x 9.5 ins ( 30.5 x 24.1 cms ) ( subject )
    Estimated: $400.00 – $600.00
    For the sports fan, Kurelek’s lithograph is a playful, whimsical rendition of a mixed-doubles tennis match. A very popular artist whose original works sell for high prices, Kurelek’s prints are still very much in demand, though at a much more affordable price range.

     

     

     

     

    N. Morrisseau, Shaman Astral Guide IILot #161
    Norval Morrisseau
    Shaman Astral Guide II
    colour serigraph
    signed, titled and numbered 91/220 in the lower margin
    29 x 13 ins ( 73.7 x 33 cms )
    Estimated: $300.00 – $400.00
    A self-taught painter, printmaker, and illustrator, Morrisseau’s colourful images depicting First Nations subjects were initially criticized in the Native community for its disclosure of traditional spiritual knowledge. Morrisseau came to develop a very strong reputation, completing many commissions including the Indians of Canada Pavilion at Expo 67. This large serigraph offers a very colourful addition to a room, along with carrying cultural significance.

     

     

     

    J. Hinton, Brooklyn Bridge DoubleLot #172
    Jane Hinton
    Brooklyn Bridge Double (1994-99)
    silver print
    edition 1/10
    14 x 40 ins ( 35.6 x 101.6 cms )
    Estimated: $400.00 – $600.00
    A contemporary Toronto photographer, Hinton has exhibited internationally and her work is found in numerous collections around the world. The artist is particularly fascinated by bridges, with Brooklyn Bridge Double (1994-99) being an example. Hinton’s work is currently for sale at an art gallery at much higher prices.

     

    E. Bartram, Island Cove, Georgian BayLot #174
    Ed Bartram
    Island Cove, Georgian Bay
    etching with hand colouring
    signed, titled, dated 1998 and inscribed VE 1/10 in the margin
    25.5 x 31 ins ( 64.8 x 78.7 cms )
    Estimated: $500.00 – $700.00
    Ed Bartram provides a very contemporary take on the Group of Seven’s favourite subject: Georgian Bay. The large size, brand-new frame and jewel-toned blues make this etching an eye-catching addition to any room and art collection.

     

     

    F. Armington, Monte CarloLot #201
    Frank Armington
    Monte Carlo
    watercolour
    signed lower right, titled and dated 1919 lower left
    15.5 x 12.25 ins ( 39.4 x 31.1 cms ) ( sight )
    Estimated: $600.00 – $800.00
    Armington is a Canadian born and raised artist, although the majority of his work depicts European scenery. Based in Paris from 1905 to 1939, the artist portrayed French urban and rural landscapes in a variety of mediums, including etchings, lithographs and watercolours.

     

     

     

     

    K. Saito, Girl With CatLot #217
    Kiyoshi Saito
    Girl with Cat
    block print
    signed in lower margin
    5 x 7.25 ins ( 12.7 x 18.4 cms ) ( subject )
    Estimated: $300.00 – $400.00
    This adorable woodblock print seems to speak for itself. Saito was one of the first Japanese printmakers to have won at the Sao Paulo Biennale in 1951.

  • Rob Visits Global Morning Calgary to Discuss Valuation Day Event

  • Rob Speaks with Toronto’s Jazz FM about Art Collecting and Tips for New Collectors

  • Fall Auction a Huge Success for Group of Seven & Quality Modern Artworks

    (Toronto – November 26, 2015) Consignor Canadian Fine Art is nearing the end of another successful year with the close of the Fall Auction of Canadian Art on November 25.  The auction invited active client participation from across Canada, with a wealth of consignors, bidders, buyers and visitors to our downtown gallery leading to strong bidding competition, notable results and a high sell rate for the November sale.

    Emerging and established collectors bid well into the evening from the comfort of their homes using Consignor’s proprietary and specialized online auction software. The evening’s high achievers included fine examples by Frank Johnston (and fellow members of the Group of Seven), Illingworth Kerr and Manly MacDonald, three of the many works which fetched values well beyond their pre-sale estimates. A rare nocturne painting by Johnston captured bidders’ interest, March Midnight selling for $12,650 (all prices include the 15% Buyer’s Premium), more than double its estimate. Illingworth Kerr also rocketed past its expectation, Mountain Moon ultimately achieving $11,500, tripling the estimate. Manly MacDonald’s impressionistic painting of the iconic University of Toronto Hart House also easily passed its estimate, Hart House in Winter inviting strong comptetion between bidders and selling for three times the expectation. Each of these paintings found homes in private collections across Canada, the fall auction generating interest and bidding from clients nationally and internationally.

    Artwork by the Group of Seven showed particular strength during the sale with examples by Arthur Lismer, J.E.H. MacDonald, A.J. Casson, and Frank Johnston performing strongly. Other Canadian historical artists highlights included paintings by John William Beatty, Frederick Loveroff, and John McNaughton, with rare examples by the three painters inspiring competition from bidders. Loveroff’s The Portage, a spectacular oil on canvas that hung comfortably among his Group of Seven counterparts, sold for $19,550, one of the highest prices ever achieved for the painter’s work at auction. A luminous canvas by J.W. Beatty, a favourite during Consignor’s extensive previews in November, sold for $32,200, one of the highest auction results for the celebrated artist’s work, a result deserving of Baie St. Paul‘s evidence of Beatty as a true master of light and colour.

    Equally sought during the fall auction were modern and contemporary artworks by Jean Paul Riopelle, Gershon Iskowitz, Jean-Paul Jerome, William Kurelek, Ted Godwin, William Winter and Maud Lewis, all of whom continue to enjoy excellent results through Consignor’s online auctions. Riopelle’s Sans titre (PM16) fetched $41,400, the estimate exceeded for the wonderful example of the artist’s signature style executed on a unique oval canvas. Captivating paintings by Iskowitz and Godwin were favourites during the November preview, Violet-A and Hidden Valley (B) selling for $17,250 and $21,850, respectively.

    Select highlights from the Fall Auction of Important Canadian Art can be viewed by following this link.

    From the entire team at Consignor Canadian Fine Art, we thank you for supporting us in 2015 and we wish you the best holidays with family and friends. Stay tuned to our website, Facebook, Twitter and Instagram to keep up-to-date on exciting news and events for 2016!