Tag: Tom Thomson

  • Defining Nationhood: The Sampson-Matthews Silkscreen Project

    A.J. Casson, Algonquin Park (Sampson Matthews silkscreen)

    In conjunction with our popular February Online Auction of Works on Paper, Prints & Books, Cowley Abbott is delighted to present a special second session auction offering a selection of works from the Archives of Sampson-Matthews Ltd., which includes a variety of rare silkscreens from the Sampson-Matthews Silkscreen Project.

    A niche collecting market within Canadian art, Sampson-Matthews silkscreens are bold and iconic images of the Canadian landscape and regional ways of life. Produced with high quality oil pigments, the silkscreens have stood the test of time. The vibrant colour and drama of these artworks, created by leading historical Canadian artists, provides an excellent opportunity for collectors to build their collection with the commanding imagery of Sampson-Matthews.

    A lion in the printmaking industry, Sampson-Matthews was founded by Ernest Sampson, a pioneer of silkscreen printing in Canada, and Charles Matthews. The firm was a frequent stop for many artists working in the graphic arts and printmaking realms of art. Celebrated Canadian artists, such as A.Y. Jackson, A.J. Casson, and Franklin Carmichael all collaborated with the firm.

    Joseph Sidney Hallam, The Log Drive (Sampson Matthews silkscreen)

    One of the largest art projects in Canadian art history, the Sampson-Matthews Silkscreen Project was a defining moment in establishing the concept of ‘Canadian Art’ and a massive morale booster during the Second World War. As Joyce Zemans writes, this project was “largely responsible for shaping our notion of Canadian art and Canadian identity” (Zemans, 7). The pre-eminent printmaking firm in Canada, Sampson-Matthews Ltd., was the natural choice for a national art project.

    Spearheaded by A.Y. Jackson in 1942, the project was designed primarily for military use and evolved into an educational program with the goal to make Canadian art accessible. Moreover, the project was designed to promote a national identity, as Canada was still a young country. As a war-artist during the First World War, Jackson saw first-hand not only the horrors of war, but the way in which the military was inextricably linked to national and cultural identity.

    Jackson proposed that this project be targeted for military distribution to bases across Canada and throughout the world, eventually to expand into schools and social clubs. Over the course of the 30-year project, 118 images were produced by Sampson-Matthews, thirty-six of which were part of the wartime series. Thirty-six prints were produced after the Second World War in partnership with the National Gallery of Canada, and an additional fifteen images were produced with Sampson-Matthews after the National Gallery of Canada ceased their partnership in 1955. All of the prints were designed with between ten to twenty oil-based colours and to reflect Canadian life and the landscape, with geographic representation from across the country. 

    Joseph Ernest Sampson, Gaspe (Sampson Matthews silkscreen)

    Jackson, understanding the harsh realities for artists during periods of war and the limited opportunities for sustainable work, sought to involve both young and established artists in the project, as a way to promote their work and create jobs. In late 1943, the first series of twenty-five works were completed in a large format, measuring 30 x 40 inches. A smaller size was later produced for certain images to offer economical options for the public.

    On the production side of the project, Chuck (Charles) Matthews and A.J. Casson oversaw the printing of the works. Collectors will sometimes find Casson’s signature in ballpoint pen in the lower corner or at the edge of a work, signifying that the artist personally oversaw the print’s production. 

    Images from thirty-nine prominent Canadian artists were selected, including works by: Franklin Arbuckle, Harold Beament, Bertram Binning, Fritz Brandtner, Emily Carr, A.J. Casson, Paraskeva Clark, Albert Cloutier, Alan Collier, Charles Comfort, Rody Kenny Courtice, Berthe Des Clayes, Arthur Ensor, Frederick Stanley Haines, Joseph Sydney Hallam, Lawren Harris, Hilton Hassell, Yvonne McKague Housser, Jack Humphrey, A.Y. Jackson, Arthur Lismer, J.E.H. MacDonald, Thoreau MacDonald, Isabel McLaughlin, James Wilson Morrice, L.A.C. Panton, Ruth May Pawson, Walter J. Phillips, Arthur Donald Price, Tom Roberts, Sarah Robertson, Albert Henry Robinson, Joseph Ernest Sampson, Tom Thomson, Stanley Francis Turner, Sydney Hollinger Watson, Horace Watson Wickenden and Dorothy Williams.

    W.J. Phillips, Mount Eisenhower (Sampson Matthews silkscreen)

    Through an international promotional campaign, thousands of prints found their way to the U.K., Germany, American bases, and even Russia. In 1943, Colonel C.R. Hill, Director of Special Services, noted that: “From a morale standpoint, these pictures have tremendous value. Perhaps particularly in the case of men who have been away from Canada for two or three years, the display of Canadian scenes will make them conscious of the land and cause for which they are called upon to fight. To those men who are still in Canada but who have to live under camp conditions, the pictures will bring a touch of beauty badly needed to counter act the dullness of their environment” (Zemans, 13). The project was living proof of the power of art and its ability to help define nationhood and art history in a pivotal moment in Canadian history.

    Prints from the Sampson-Matthews project are wonderful tokens of Canadian art history and are regularly sought after by collectors. For new collectors entering the art market, the prints offer a perfect entry point to acquire an iconic image by a recognized Canadian historical artist. With unique ties to Canadian military and political history, the prints allow insight into the country’s early endeavours to define a national identity and build unification within a bourgeoning and diverse country.

    A.J. Casson, Ontario Village (Sampson Matthews silkscreen)

    Cowley Abbott is pleased to be entrusted with this collection from the Archives of Sampson-Matthews Ltd., comprised of a selection of unique prints from the Sampson-Matthews Silkscreen Project, as well as Canadian historical artworks and artifacts. For more information on this forthcoming auction and project, contact our specialists at 416-479-9703 or [email protected]

    Sources

    Joyce Zemans, “Envisioning Nation: Nationhood, Identity and the Sampson-Matthews Silkscreen Project: The Wartime Prints,” Journal of Canadian Art History, Vol. 19, no. 1 (1998) pages 6-51

    The Sampson-Matthews Print Collection:http://www.sampsonmatthewsprints.com/

  • Spring Season Sees Strong Results for Canadian Historical & Post-War Artwork

    Claude Tousignant, Absurdo (1964) – Price Realized $188,800

    May 28, 2019 (Toronto, ON) – An energetic and hypnotizing canvas by Claude Tousignant had bidders spellbound during the Tuesday evening Consignor Canadian Fine Art Spring Live Auction of Important Canadian Art, when it fetched $188,800 (all prices include the 18% Buyer’s Premium), more than tripling the opening bid. Absurdo (1964) drew feverish bidding attention from participants in the room and on the telephone before being hammered down well beyond expectation.

    David Milne’s Soft Hills (Misty Hills) (Boston Corners, N.Y.), a masterful 1917 watercolour also attracted strong attention in the packed auction gallery at Toronto’s Gardiner Museum, finally selling for $112,100, more than doubling the painting’s pre-sale estimate of $40,000-60,000. The stunning watercolour appeared for its first time at auction with Consignor and the rarity drew praise and attention from collectors across Canada.

    Algoma Sketch XCII (Algoma Autumn), a 1920 oil sketch portraying the region where the Group of Seven embarked on their earliest sketching trips as an official association sold for $125,000 during the week, while a small graphite sketch by the artist (Algoma) fetched $25,960, exceeding its pre-sale auction estimate.

    A close friend of Harris and Group of Seven, Tom Thomson’s Road Near Leith (1908) sold for $100,300, the early canvas, depicting the region where the painter was born and his family lived, exceeding the high-end of expectation.

    Prairie-born Colour-Field painter William Perehduoff also turned heads during the May auction with AC-69-29 (1969) commanding strong competition in the auction gallery before finally selling for $51,920, more than doubling the opening bid volleyed by the auctioneer.

    Other notable results during Consignor’s spring auction include:

    • Bill Reid, Bear Cub Pendant (1990), the 22k gold jewellery work by the internationally renowned Haida artist, fetched $47,200 (exceeding the high-end of pre-auction expectation).
    • Jack Bush, Ochre Blue Square, the small canvas by the celebrated post-war painter selling for $30,680, while an earlier, 1951 work by the artist, Lovers, sold for $28,320 (within expectation).
    • William Kurelek, Tale of a Dog, a gift from the painter to the consignor, a fellow framer and friend, achieved $10,620 (exceeding the high-end of pre-auction expectation).
    • Frederick Varley, Spring Meadow, Don Valley, a vivid canvas painted during the period in which the Group of Seven were associated, sold for $28,320 (within expectation).

    The season continues with a second online session of Canadian artwork on offer until June 5th and a further session of Canadian and International artwork included in the Consignor June Online Auction between June 9th and 16th.

  • Harris, Milne, Tousignant & Perehudoff Highlight Spring Live Auction

    David Milne, Soft Hills (Misty Hill) (Boston Corners, N.Y.)

    Related work to Harris’ Record-Breaking Algoma sketch hits the Block with Masterworks by David Milne & Claude Tousignant debuting at Consignor Canadian Fine Art’s Spring Live Auction on May 28

    May 1, 2019 (Toronto, ON) – Lawren Harris rarely repeated subject matter, but the familiar depiction of Algoma, an island of tall trees, was a pivotal scene for the renowned Canadian artist, serving as the focus of several large-scale canvases. In 2016, Consignor Canadian Fine Art’s inaugural live auction event set the record for the highest-selling sketch of the Algoma region by Lawren Harris, fetching $977,500, tripling the previous auction record. Now, two new Harris sketches of the area will go on the auction block at Consignor’s Spring Live Auction of Important Canadian Art, taking place May 28 (7pm) at Toronto’s Gardiner Museum.

    Algoma Sketch XCII (Algoma Autumn), painted in 1920, marks an important place in Canadian art history, portraying the region where the Group of Seven embarked on their first sketching trips as an official association. The colourful oil sketch depicting a densely populated forest scene is being offered with an auction estimate of $150,000 to $250,000.

    Another of Harris’ works, Algoma, is a graphite drawing depicting the familiar island scene and serves as a related work for major canvases by the artist, including paintings at the Vancouver Art Gallery and the Boston Museum of Fine Arts. The graphite sketch has an estimated value of $15,000 to $20,000 but could exceed expectations based on the strong past performance at Consignor’s auctions of Harris’ graphite studies including the sale of Lake Superior in 2017 for $161,000, a record for a Harris work in this medium.

    “Lawren Harris’ work continues to captivate collectors and art enthusiasts across Canada and beyond our borders, and we are already witnessing a great deal of interest and excitement for the two Harris artworks included in our upcoming auction,” said Rob Cowley, President of Consignor Canadian Fine Art. “No matter the medium, Harris’ Algoma compositions are a fascinating display of the region and his development as one of our Canada’s most renowned artists. We are proud to have achieved record-breaking results for Harris’ work in oil and graphite over the past few years and are pleased to offer two works connected to such a pivotal area and period for Harris and the Group.”

    David Milne’s Soft Hills (Misty Hills) (Boston Corners, N.Y.), a masterful watercolour painted by the artist in 1917 also appears for the first time at auction at the May 28th evening sale. Composed shortly after Milne and his family moved to the small village of Boston Corners, watercolours from the region are considered to be some of Milne’s most iconic, this stunning work a perfect example, on offer with an auction estimate of $40,000 to 60,000.

    Other notable artworks featured in Consignor’s Spring Live Auction include:

    • Claude Tousignant, Absurdo (1964), 72” x 72”, a mesmerizing canvas by the celebrated Quebec abstractionist, recently on view at Calgary’s Mount Royal University (auction estimate $60,000 to 80,000)
    • William Perehudoff, AC-69-29 (1969), 63.5″ x 87.75″, a quintessential Colour-Field canvas, showcasing the unique voice of the Prairies abstract master.
    • William Kurelek, Tale of a Dog, 13.25” x 1.25”, mixed media on board, was gift from Kurelek to its current owner, a fellow framer and friend, is offered up for sale for the first time (auction estimate $7,000 to $9,000)
    • Tom Thomson, Road Near Leith, 8.25″ x 13.5″, a rare and early canvas by the famed Canadian landscape painter, depicting the area near his childhood home.

    The auction includes strong examples by many of Canada’s most important historical artists including the Group of Seven (A.Y. Jackson, J.E.H. MacDonald, Frederick Varley, Franklin Carmichael, Frank Johnston and Edwin Holgate), M.A. Suzor-Coté, and Robert Pilot, as well as renowned post-war and contemporary Canadian painters such as Jack Bush, Harold Town, Walter Yarwood, Ray Mead, Rita Letendre, Guido Molinari, Ken Lochhead, Sorel Etrog, Bill Reid, Robert Bateman, Maud Lewis and Joe Fafard, among others.

    Live previews are currently taking place at the Consignor Canadian Fine Art Gallery located at 326 Dundas Street West and viewable at consignor.ca. Consignor’s Spring Live Auction of Important Canadian Art will take place on Tuesday, May 28, 2019 at 7pm at the Gardiner Museum located at 111 Queen’s Park, Toronto, ON. The auction’s second session will be held online, with more than 150 works of art available for bidding between May 22 to June 5, 2019.

  • Rob Chats with CH Morning Live Regarding Auction Valuation & Recent Maud Lewis Auction Record

  • Carmichael Masterwork Sells for $475,000 During Spring Season

    Records Broken & New Traditions Established for Consignor This Season

    Old Orchard, a major 1940 painting by Franklin Carmichael was sold for $475,000 during the spring auction season, the highest price paid for the painter’s work in eight years and one of the highest values ever achieved for the painter’s work by an auction firm.  The price was just one of the many highlights encountered by Consignor Canadian Fine Art this spring.

    The Spring Live Auction of Important Canadian Art, held May 25th, was an evening of new traditions and continued success for Consignor, the auction establishing strong prices for historical, post-war and contemporary works of quality and rarity.  The auction was held for the first time at Toronto’s Gardiner Museum, the downtown venue filled to capacity with an electric environment of excitement palpable from the drop of the hammer on the first lot sold.  The classy and cozy setting was instantly popular with clients, paddles comfortably waving in the air throughout the night.

    Excited bidding participation came through not only in the room, but through spirited telephone and absentee bidding, pushing choice artworks well beyond expectation.  Drawing strong reaction from the room was the sale of Three Black Cats, the small oil painting by Nova Scotia folk artist Maud Lewis fetching a record $36,800 (prices posted include applicable Buyer’s Premium), almost double the previous auction record and five times the presale estimate.  Appreciation for Atlantic Canadian artists continued with David Blackwood’s Fire Down on the Labrador selling for $48,300, doubling its estimate and marking the second highest price ever achieved for the iconic imagery created by the Newfoundlander printmaker.

    Artwork by Tom Thomson and the Group of Seven continued to excited collectors during the spring season, with notable results including: Tom Thomson’s Fallen Timber (Algonquin) selling for $125,000; Edwin Holgate’s Autumn Leaves selling for $75,000; Madawaska, a 20 x 26 inch canvas by A.Y. Jackson fetching $69,000; A.J. Casson’s captivating Old Hotel, Elora selling for $36,800 while Casson’s Byng Inlet fetched $29,900.  Works on paper by the Group saw record prices set with Lawren Harris’ Snow-Covered Trees more than doubling its estimate to reach $50,600 and A.Y. Jackson’s Gulf of St. Lawrence selling for $14,950, both auction records for works on paper by the artists.

    Further historical highlights displayed a love for portraiture from collectors this season with an enchanting Jean Paul Lemieux portrait fetching $48,300; Randolph Hewton’s Portrait of Thomas Archer Esq. selling for $14,950; and Hal Ross Perrigard’s Vere reaching $10,925, each exceeding their pre-sale estimate.

    Post-War and Contemporary Canadian works performed notably during the May 25th live auction with: Ted Harrison’s The Grecian House (Dawson City) selling for $34,500, Sorel Etrog’s “Ferrari red” Sadko fetching $27,600, Paul-Émile Borduas’ Abstract Composition watercolour reaching $21,850 and Rita Letendre’s L’Enchenteur selling for $17,250.

    The May live auction was surrounded by Consignor’s March and June Online Auctions, sales which are carefully catered not only to established collectors looking to supplement their existing collections but also to new collectors who continue to hunt for gems to create an assemblage.  Feverish online bidding led to collectors across Canada and beyond being awarded notable works of art by A.J. Casson, J.W. Beatty, Manly MacDonald, H.S. Palmer, Alan Collier, Yvonne McKague Housser, Goodridge Roberts, Jack Bush, Alex Colville, Norval Morrisseau, David Urban, Angela Leach, and Kim Dorland, among many others.

    We extend our thanks to the consignors, buyers, bidders and clients who helped to ensure another season of success for Consignor Canadian Fine Art.  Preparation has already begun for our fall sales, including the Live Auction of Important Canadian Art (to be held on November 23rd at the Gardiner Museum).  We are currently accepting consignments for the upcoming sales and our team would be delighted to meet with you in our downtown Toronto gallery or during our national travels this summer.  The summer months feature a selling exhibition in the gallery and online, allowing clients the opportunity to consider a variety of work by Canadian artists, available for immediate sale (full listing available here).