Cowley Abbott kicked off our first valuation days of the 2025 season in Toronto on February 12th and another on March 19th. It was at these valuation days that specialists consigned a W.J. Phillips and provided a valuation for a Joyce Weiland artwork.
From February 20th – 27th, President Rob Cowley and Senior Art Specialist Anna Holmes travelled the east coast beginning in Charlottetown, P.E.I., making stops in Halifax, Nova Scotia and ending in Fredericton, New Brunswick. During this trip our team spoke with the press, including CBC radio and tv in Charlottetown, Global and CBC in Halifax (view here), and CBC radio in Fredericton; and of course, valued incredible works of art. Rob also had the opportunity to speak to students at Dalhousie University in Nova Scotia about the auction world and an important private collection.
A range of regional artists were viewed at our east coast valuation days, such as A.Y. Jackson, Mary Pratt, Frederick Arthur Verner, A.J. Casson, Maud Lewis, Molly Lamb Bobak. International artist highlights included a work by Pablo Picasso. We were also entrusted with some incredible consignments, including a canvas by Yves Gaucher and a canvas by Fern Coppedge which will both be offered in our upcoming live auction.
Also while on the East Coast Rob had the opportunity to speak with students from Dalhousie University in Nova Scotia about the auction market and an important private collection.
On April 3rd, our valuation day was hosted by The Agnes Etherington Art Centre in Kingston, Ontario, where Rob Cowley gave a talk on “Artwork Tales”. This talk focused on exciting highlights sold at Cowley Abbott such as Ukrainian Proverb by William Kurelek, Algoma (Algoma Sketch 48) by Lawren Harris and DHead XLVI by David Bowie.
Rob also discussed the amazing results from the Private Collection auctions in 2023/2024 and highlighted the Joyce Putnam Bequest of paintings that the Agnes Etherington Art Centre has in their collection, which consisted primarily of Group of Seven works. It was a valuation day to remember and a huge thank you to all who joined the talk!
Our April 6th Valuation day saw Canadian Art Specialist Eryn Brobyn and Senior Canadian & International Art Specialist Perry Tung travel to the Art Gallery of Hamilton where they were delighted to value works by Andy Warhol, Alexandra Luke, and Tom Hodgson.
Our firm looks forward to the valuation days of this upcoming season, including a visit to Niagara on the Lake at The Riverbrink Museum on April 25. We thank everyone for their participation in our valuation days.
For more information on valuation days and upcoming events visit cowleyabbott.ca and follow us on social media!
ANDY WARHOL, GUIDO MOLINARI, EMILY CARR, GROUP OF SEVEN AND OTHER CANADIAN AND INTERNATIONAL MASTERSGO UNDER THE HAMMER ON DECEMBER 6
Already the highest-grossing single collection of Canadian art sold at auction at nearly $30 million, one of Canada’s most-significant private Canadian art collections has its final session
Toronto, ON (October 23, 2023): Rare and important artworks from several prominent private and public collections will go under the auction hammer in Cowley Abbott’s fall auction of Canadian and international masters on Wednesday, December 6. This two-session live auction is valued at over $10 million.
Highlights of the first session include two canvases by abstract painter Guido Molinari,deaccessioned by the Art Gallery of Ontario (AGO) and five notable works by Canadian artists William James Bennett, Jack Bush, Marc-Aurèle Fortin, Jean Paul Lemieux and David Milne, from the collection of the late Joe and Anita Robertson.
Born in Montreal, Molinari (1933-2004) was named an Officer of the Order of Canada in 1971 and achieved international renown, having exhibited in New York and at the 1968 Venice Biennale, and was featured in retrospectives at the National Gallery of Canada, Art Gallery of Ontario and Musée d’art contemporain de Montréal. His art is actively pursued by collectors around the world. Molinari is represented by major works in the AGO’s collection, as well as across Canada. Following museum guidelines, the proceeds of deaccessioning go towards future acquisitions.
The two works up for auction areSeriel, 1966(auction estimate: $125,000 – $150,000) and Quantifcateur, 1981(auction estimate: $70,000 – $90,000).
Guido Molinari Seriel (1964/1966)
Guido Molinari Quantifcateur (1981)
“It is our privilege to represent the Art Gallery of Ontario and the Collection of the late Joe and Anita Robertson in the offering of these Canadian artworks. Our firm has a history of success in the sale of Molinari’s work and they are already inviting strong interest from collectors. It is a pleasure to collaborate with our colleagues and neighbours at the AGO and we are thrilled to donate a portion of our commission to support future acquisitions by the institution.” – Rob Cowley, President, Cowley Abbott
From the collection of the late Joe and Anita Robertson, prominent Niagara region businesspeople and philanthropists, comes four spectacular paintings and a collection of four prints. The Robertson’s made major financial contributions to the performing arts and health organizations, and were active supporters of the United Way, among many other charitable causes.
From an early New York canvas by David Milne (Billowing Trees, estimate $100,000 – $150,000); to a rare, large canvas by Jack Bush of Port Loring (Sunset at Port Loring, estimate $25,000 – $35,000); to William James Bennett’s captivating scenes of Niagara Falls (four aquatints, estimate $15,000 – $20,000) and a pair of celebrated subjects by Quebec masters, Jean Paul Lemieux (Femme en noir, estimate: $150,000 – $200,000) and Marc-Aurèle Fortin (Vieille maison, estimate $40,000 – $60,000), each work of art was carefully chosen by the Robertson, who have been advised by Brett Sherlock through the auction process. Cowley Abbott will donate a portion of their selling commission to the United Way Niagara Falls in memory of Joe, Anita and their daughter Laura, who passed away in 2018. An online auction of artwork from the Robertson Family Collection will also be held by Cowley Abbott this fall.
The second session of the live auction event is devoted entirely to the final sale of a landmark three-session auction of one of Canada’s most prominent, well-known and extensively-exhibited private art collections. Expertly curated over 60 years, the collection of rare and remarkable artworks features prime example, museum-quality paintings, drawings and sculptures by Canada’s most celebrated historical artists.
With two-thirds sold to-date for nearly $30 million, it is already the highest-grossing single collection of Canadian art to ever sell at auction. The sales through Cowley Abbott have achieved over 20 artist records, with nine artworks selling in excess of $1 million and 80 of 100 works of art sold exceeding the high-end pre-sale auction estimate. The final session is rich in important and rare art by celebrated Canadian historical artists, including the members of the Group of Seven, Emily Carr, Cornelius Krieghoff,Helen McNicoll and Paul Peel.
The two-session live auction, Important Canadian & International Art and Artwork from An Important Private Collection (Part Three), takes place on Wednesday, December 6 at 4 p.m. and 7 p.m. EST respectively at the Globe and Mail Centre, 351 King St. East, Toronto. It will also be livestreamed online at cowleyabbott.ca, allowing for simultaneous in-person, telephone, absentee and real-time online bidding – enabling prospective buyers to participate from anywhere in the world.
Before hitting the auction block, highlights will be previewed at Montreal’s Mount Stephen Hotel from November 9th to 11th and then all artworks included in the two-session live sale will be exhibited at Cowley Abbott’s gallery, 326 Dundas Street West, located across the street from the Art Gallery of Ontario, free for the public to view from November 16th to December 5th.
Preceding the official November fall previews, a free pop-up public exhibition, Important Canadian and International Art Selections, will feature roughly 70 artworks from the two sales, on display in the Cowley Abbott Toronto Gallery from October 23rd to November 3rd.
Additional fall auction highlights include:
Andy Warhol, Mick JaggerAuction Estimate: $135,000-175,000 Warhol was fascinated by pop culture and captured many famous individuals in his art, including The Rolling Stones’ frontman Mick Jagger. His creative relationship with the singer in the 70s included many artistic collaborations including their iconic Sticky Finger album cover. Session 1 – Fall Auction of Important Canadian and International Art
Clarence Gagnon, Ice Harvest, Quebec, 1935 Auction Estimate: $400,000-600,000 Major works by Gagnon such as this are very rare. The large-scale canvas depicts a highly celebrated and cherished subject for the artist: ice harvesting in Quebec. The canvas is expected to challenge the auction record for Gagnon’s work. Session 2 – Artwork from An Important Private Collection
Helen McNicoll, The Chintz Sofa, circa 1912Auction Estimate: $250,000-350,000 McNicoll was an impressionist painter and one of Canada’s most notable female artists. This well-known work has exhibited extensively and internationally for over a century, most recently in the 2023 exhibition, Cassatt‒McNicoll: Impressionists Between Worlds at the Art Gallery of Ontario. Session 2 – Artwork from An Important Private Collection
Arthur Lismer, Ragged Lake, Algonquin Park, 1914Auction Estimate: $250,000-$350,000 (canvas) and $60,000-$80,000 (preparatory sketch) This oil canvas and its preparatory oil sketch date to an important early trip to Algonquin Park taken by Lismer and Tom Thomson, just a few years prior to the formation of the Group of Seven. This collection has already featured the sale of two record-setting sketches by the artist and the sketch here is expected to challenge the record. This is a rare offering of a canvas and related sketch in the same auction. Session 2 – Artwork from An Important Private Collection
JEH MacDonald, Laurentian HillsideAuction Estimate: $250,000 – $350,000 (canvas) and $20,000 – $30,000 (preparatory oil sketch) Created during an early, foundational painting trip by future Group of Seven members, MacDonald and Lawren Harris. The pair of works have exhibited extensively across Canada and globally. Session 2 – Artwork from An Important Private Collection
Emily Carr, Nirvana, circa 1930Auction Estimate: $250,000 – $350,000 A well-known work by Carr, this fourth and final major work by Carr from the celebrated private collection relates to a 1912 watercolour currently in the McMichael Canadian Art Collection, as well as a 1930 canvas in another prominent private collection. Session 2 – Artwork from An Important Private Collection
Jean Paul Lemieux, Jeune fille au chandail jaune (1964)Auction Estimate: $550,000 – $650,000 First featured in a quickly sold-out exhibition at Montreal’s Galerie Agnès Lefort in 1965, this major canvas by Quebec master Jean Paul Lemieux captivates viewers and is expected to invite excited bidding in December. Session 1 – Fall Auction of Important Canadian and International Art
Jack Bush, Bridge Passage (1975)Auction Estimate: $300,000-400,000 One of two major canvases by the celebrated Canadian colourfield painter, his works have demanded strong prices in recent auction seasons, including a record price for Column on Browns, sold by Cowley Abbott in Fall 2020 for $870,000. Being held in Canadian and American collections and exhibited on both sides of the border, Bridge Passage makes its auction debut this fall. Session 1 – Fall Auction of Important Canadian and International Art
Jack Bush, Rose Red & Red (1966)Auction estimate: $400,000 – $600,000 First exhibited at the Sao Paulo IX Biennial in 1967, the canvas has been included in exhibitions across Canada since it was painted, most recently as part of the travelling Bush exhibition organized by the Esker Foundation in Calgary. Session 1 – Fall Auction of Important Canadian and International Art
For a full auction schedule, additional highlights, or an online catalogue please visit CowleyAbbott.ca. Those interested in consignment can arrange a consultation by contacting Cowley Abbott’s specialists at 1-866-931-8415 or mail@cowleyabbott.ca. Preliminary auction assessments are offered on a complimentary and confidential basis with no further obligation.
About Cowley Abbott Since its inception in 2013, Cowley Abbott’s live and online auctions have included headline-grabbing works that have regularly smashed auction records. Cowley Abbott has rapidly grown to be a leader in today’s competitive Canadian auction industry, with a dual gallery in downtown Toronto and representatives across Canada. Cowley Abbott’s effective set of services marry the traditional methods of promoting artwork with technology and innovative means to connect collectors with artwork of rarity and quality.
Looking through the Prints, Photography and Multiples auction, we see excellent works by the masters of the 20th Century, including Picasso, Motherwell, Dali, Albers and Chagall. But there are two exceptionally rare prints that are wonderful examples of the difference between an etching and an engraving.
River Drifters (River Drivers) by Frank Weston Benson
The first is entitled Rivers Drifters (Drivers) by Frank Weston Benson, who was already an accomplished painter when he took up printmaking. Benson was a member of a group, who became known as The Ten American Painters. They were an exhibition group that included Impressionists, Tonalists and Figure painters, such as Childe Hassam and John Henry Twatchman. William Merritt Chase would join the group later upon the death of Twachtman. Benson was exhibiting with the group when he took up etching recreationally in the early part of the 20th Century. He would have great success exhibiting and selling his work in this medium. His usual subject matter of choice was wildlife or sporting subjects.
However, in River Drifters (Drivers) from 1914, no wildlife is present, instead he has focused attention on two loggers working along the Grand Lake Stream in Washington County. Especially wonderful is the small detail of the pipe in the standing figure’s mouth. This is a fantastic example of the etching technique, where the lines have been burned (etched) onto the plate using a chemical process, having been coated in a substance that is acid resistant called the etching ground. The image is then drawn through the ground to reveal the plate below, which is then bathed in acid etching the plate. When compared to etching, engraving is a much more physical process, where lines are carved into the plate using sharp tools producing a cleaner more pronounced line.
Three Girls on a Chicken (Sasowsky 214) by Reginald Marsh
Reginald Marsh studied under John Sloan at the Art Students League in New York. His subject matter were the people of New York, whether at play on Coney Island, dancing at a night club, riding the subway or just walking the street. Here is another American artist who took printmaking to a new level. Not only was he concerned with the finished product, but he was also obsessed with how he arrived there. Part of his process was making sure the temperature in his studio was just right for printmaking. Marsh was also aware of the age of the bath that his plates were soaked in, recording how long the paper soaked, observing the heating of the plate and the nature of the ink used in printing. Three Girls on a Chicken is from 1941, from an edition of approximately only twenty and is an extremely scarce engraving presenting Marsh at his finest.
Perry Tung viewing the offerings of this month’s online auction
Cowley Abbott is delighted to offer these rare works in our
Prints, Photography and Multiples Auction currently open for bidding until
April 19th.
Patrick graduated from OCADU in 2005 and has 15 years of experience working in fine art galleries and auction houses. Joining the Cowley Abbott team in 2019, Patrick has enthusiastically continued developing his knowledge of historical, modern and contemporary Canadian art.
Patrick, you are immersed in art in all
aspects of your life, as you are an artist yourself! This is of great benefit
to Cowley Abbott and wonderful to have an artist on staff. Can you tell us a
bit about your art practice and inspiration?
It has definitely been useful to draw on a
familiarity with painting materials and processes. I often find myself looking
very closely at paintings and thinking about the process the artist went
through. It is such an immense privilege to be surrounded by incredible works
by so many different artists each day. My own paintings are a mix of different
influences, sort of a dialogue between geometric structures and more painterly
forms. It’s abstract, but I see it as a “content-based abstraction”.
As an alumnus of the Ontario College of
Art and Design, you walked the halls that many celebrated Canadian artists also
frequented. Can you share what your studies at OCAD were focused on and how
that experience informed your decision to work in the art world?
The history associated with OCAD is pretty
fascinating. It’s so rewarding to look at art and also learn about the lives of
artists, local histories and the wider social and cultural contexts. While I
was at OCAD, the focus was very much on studio practice, and it was a great
time to experiment with different mediums and connect with peers and teachers.
Any long-term creative pursuit is going to have ups and downs, but painting
seems to have a way of constantly pulling me back. So I feel very fortunate to
be working in a field where I’m very much engaged with art of the past and
present.
Patrick Staheli can be
reached directly by e-mail at patrick@cowleyabbott.ca. Stay tuned for
the next installment of “Introducing the Cowley Abbott Team” in a week!
Lot 147: Ronald York Wilson, Prehistoric Enigma mixed media on paper, 8.75 x 9 ins Estimate: $400-600
Accessible Art Picks in the February Online Auctions
Cowley Abbott’s February online auctions are divided into three categories: Canada & Abroad, Three Dimensions, Works on Paper & Prints. I am going to highlight some of my (more affordable) picks and provide a bit of background information as to why I chose them.
Lot 14: W.E. Atkinson, Shades of Evening oil on canvas, 20 x 16 ins Estimate: $1,500-2,000
In my previous blog post, I mentioned how I like auctions because they expose you to a wide range of art, making you consider some artworks you wouldn’t have otherwise sought out. For example, I am generally drawn to abstract art because I studied it in school and it is modern and often colourful. If I were to look to buy art at a gallery I would probably seek out a modern art exhibition. That being said, the artworks that strike me the most in this month’s sales would be considered quite traditional: George Reid’s Sketch for “Spring” and William Edwin Atkinson Shades of Evening. They are both soft and romantic, with a very impressionistic quality. This goes to show that auctions can open your eyes to new things – they provide the opportunity to surprise yourself!
Lot 58: Manly MacDonald, Baker House Close, Edinburgh etching, 10.25 x 8 ins Estimate $250-350
Etchings are a beautiful type of printmaking that require an impressive and painstaking technique. The image is first etched by hand into a copper plate, then submerged in acid, then run through a printing press. The process requires an incredible attention to detail with essentially no margin for error, and as a result I feel that etchings deserve more attention than they often receive. Manly MacDonald’s etching Baker House Close, Edinburgh is a charming and delicate depiction of a Scottish street scene, and it has an estimate of only $250-350.
Lot 104: Marion Post Wolcott Jitterbugging on a Saturday Night in Juke Joint near Clarksdale, MI, 1939 gelatin print, 10 x 8.75 ins Estimate: $1,000-1,500
Marion Post Wolcott was a notable American photographer, best known for documenting poverty and deprivation in the United States during the Great Depression. Her photographs are in the collections of large museums such as the Smithsonian and the Metropolitan Museum of Art. It is exciting to see one of Wolcott’s historical photographs from 1939 offered in the February Works on Paper & Prints auction: lot 104, Jitterbugging on a Saturday Night in Juke Joint near Clarksdale, MI, 1939.
Lot 153: Harold Town, Stretch Blue on Grey serigraph, 40 x 28.5 ins Estimate: $300-400
Harold Town’s Stretch Blue on Grey is a fantastic print. The stretched-out blue bands are fun and would add the perfect pop of not-too-bright colour to a room. It was made in 1971, so it bears that 60s/70s mod aesthetic, yet it could also pass as contemporary. With an estimate of only $300-400, it is really a great opportunity!
Lot 168: Ivan Eyre, Echo etching, 10 x 13 ins Estimate: $300-400
Echo by Ivan Eyre is another example of the intricate etching technique, as well as an example of the accessibility of the artist’s prints in comparison to his oil paintings. Eyre is a contemporary artist whose work is in demand at the gallery level and auction level. Eyre’s acrylic painting Amber Pass was in Cowley Abbott’s June 2021 live auction, with an estimate of $80,000-120,000, and the work sold way above the estimate for $228,000. The artist’s prints, such as Echo, with an estimate of $300-400, are evidently a much more accessible way to own one of his works. Bonus: it is nicely framed!
Lot 76: Catherine Widgery, Businessman with Attaché Case painted aluminum Estimate: $1,500-2,000 Lot 81: Catherine Widgery, Woman with Baby Carriage painted aluminum Estimate: $1,500-2,000
Two aluminum maquettes for Catherine Widgery’s art installation “City People” are being offered in the Three Dimensions sale. Located on Front Street across from Toronto’s Union Station since 1989, “City People” consists of various pedestrian figures made of painted aluminum – some are stationary and mounted on the wall, while many are mounted on pedestals. Businessman with Attaché Case and Woman with Baby Carriage are a fun opportunity to own a piece of Widgery’s process in creating the famous art installation.
