Tag: online auction

  • Building Your Collection: Understanding Value and Navigating the Auction Market

    Navigating the art market can be both an exciting and a daunting task for new buyers, experienced collectors and art market professionals. With a plethora of commercial galleries, online purchase platforms and auctions seemingly running 24/7, the buying options are limitless. At Cowley Abbott, we prioritize exceptional customer service and take pride in assisting our clients find the perfect artwork to either add to or begin their collection. In this article we will look at some key factors to consider when looking to start, build or mature your art collection, as well as the benefits of buying at auction.

    Christopher Pratt, Girl on my Couch (1984)

    Where to Start?

    Of course, one’s aesthetic taste is an obvious starting point. When a client inquires about what artist, time period or style of art they should collect, we encourage first to scan galleries, auctions and online resources to pinpoint what naturally appeals. Once there is a clear idea of an overall genre, style or even a particular artist that a collector wants to focus on, this establishes a solid foundation to build upon. Investment and future value are the next factors to consider. Although collecting art is an emotional and subjective process for collectors, the financial aspect of collecting is a natural and valid query. Invariably, the next question asked is, which artist or artwork will hold value over time.  There is no crystal ball to consult to ensure that an artist or artwork will maintain its economic value, just as there is no guarantee that one’s financial investments will hold steady without change. However, auction, by virtue of its transparency, establishes a sense of confidence. Estimates and hammer prices reflect the realistic expectations of the secondary market for an artwork and artist, no matter a collector’s budget.

    Jean Paul Riopelle, Feuilles VI (1967)

    New collectors often seek an understanding of the art market before committing to their first purchase. This strategy takes into account a collector’s taste and shifting art market trends. Bearing this in mind, works on paper by major artists who trade at auction are an excellent buying option for new collectors.  Typically, works on paper, such as drawings, watercolours and prints, offer a lower financial entry point and are an excellent example of the artist’s production, while allowing the collector to inform their aesthetic taste. Canadian artists, such as Jack Bush and Christopher Pratt, produced works on paper in tandem with their painting, developing fascinating and sometimes unique, experimental testimonials to their overall practice. “Sash”, “Totem” and “Thrust”, prints by Jack Bush, offer bright renderings closely linked to both his works in gouache and his large canvases. Similarly, Pratt’s graphite drawings of nude models and interiors are often the basis for both his coveted print works and paintings, functioning as intentional works of their own. Works on paper offer an incredible opportunity to understand the technical process of an artist. Notes on colour, shading, location and even the time of day can be conveyed, providing a unique insight into completed works by the artist.

    As a new collector, the benefit to both monitoring and participating in auctions is accessibility to the wide variety of works included in these auctions, either online or live. A collector can study the online auction catalogues, view multiple images of the works included, request condition reports on specific artworks and compare artworks to navigate their own interests and taste. At Cowley Abbott, we offer dedicated sales of Works on Paper, taking place in February and July, offering an exceptional opportunity to begin collecting or build upon an established collection.

    I know what I like, how do I navigate value?

    Jack Bush, Purple Thrust

    Researching and learning more about major art movements, artist collectives, groups and periods all contribute to a more well-rounded understanding of the cultural value of artworks. This aids in further distilling a collector’s taste; perhaps gravitating to one artist of a major group over another and establishing a more finite point to begin collecting.

    Navigating the estimates applied to artworks is an integral component to collecting. When auction houses ascribe estimates to artworks, the value is based upon past results for an artist at auction. Our specialists research comparable works by the artist, taking into account various attributes, such as medium, dimensions, style, overall quality and period for the artist. Hammer prices and auction estimates for these comparable pieces are taken into consideration in order to provide realistic expectations for artworks offered at auction. This recognized practice of valuation establishes greater transparency for new collectors navigating the auction market.

    The Basics of Understanding Value

    ArtTactic professionals have broken down the stages of an artist’s trajectory in order to measure the relationship between the cultural and economic value of their work within the art market. The following factors are considered when offering an artwork at auction, allowing further insight into how and why specific artwork by an artist may achieve a higher value.

    1. Formation Phase
      1. Art School
      2. Grad Show
      3. Local collector interest / exhibiting with smaller or younger galleries
      4. Art Fair showing
      5. Curator interest
      6. International interest (though less so with Canadian art given the regional market)
      7. Reputable Artist Prizes
    1. Expansion Phase
      1. Move to representation with established gallery / solo exhibition
      2. Acquisitions by major collectors
      3. International solo exhibition
      4. AUCTION DEBUT—works selling above expectation
    1. Consolidation Phase
      1. Strong and Consistent auction market activity
      2. Consistent commercial and museum exhibition activity

    Further factors to consider include condition, quality, characteristics of the artwork, the provenance and, to an extent, rarity. Though rarity can aid in increasing the value of an artwork — for instance if the work is a sketch or panel for an important work by the artist — it can also have an adverse effect (ex. an artwork depicting a floral still life by an artist who is celebrated for their work in abstraction). For new collectors, it is an important component to be mindful of, as rarity can equate to a smaller pool of collector interest should one seek to sell in the future to mature a collection or should aesthetic tastes change.

    These factors are guidelines to understanding established value, how specialists arrive at estimates, and driving forces for market trends. If there is a strong emotional draw to an artwork, collectors should trust their instincts and collect works that they will enjoy and that will enrich their collections.

    How can Cowley Abbott assist?

    Our monthly online auctions are an opportunity for a collector to ‘check’ the pulse of the market and dabble in their own collection journey. Interested collectors are invited to monitor the progress of our auctions and the performance of a specific artwork with no obligation to bid or participate. Our easy to navigate website offers a comfortable and convenient environment to participate should a collector wish, while our team of specialists are available to assist with any questions or concerns regarding artworks, or the auction process. The artworks included in the online auctions are available to preview at our gallery, and we invite you to visit us to view the works in person (should you be in the Toronto area or find yourself here visiting during our previews).

    Guido Molinari, Untitled (Vertical blanc)

    Our live auction of Important Canadian Art, which takes place in the spring and fall each calendar year, offers fresh insight into the auction world. We invite clients and collectors to experience the excitement of a live auction, as the event is open to the public and there is no obligation to participate. We provide extended gallery preview times to view the artworks included in these auctions to accommodate travel and scheduling realities, while flexible bidding options are available (in-person, absentee and telephone). The opportunity to view and engage with rare, museum-quality works is a privilege we love to share with our clients.

    Our boutique firm specializes in Canadian Fine Art and our team of experienced and trained professionals is available to answer your collecting queries. We emphasize transparency in our business and market discussions with clients. We publish the price realized for all artworks sold at auction, partnering with global art market indexes, and provide full cataloguing information for all artworks we are entrusted with for sale. We strive to provide clients and collectors with the highest level of service, and we would be delighted to assist you in your collecting journey!

  • Records Broken During Electric Fall Auction Season at Cowley Abbott

    Molly Lamb Bobak, Highland Games, Fredericton
    Price Realized: $100,300 (Auction Record)

    Through the November and December live and online auctions, Cowley Abbott achieved strong results for consignors, with multiple records broken, while connecting collectors at all levels with artwork of quality and rarity.

    The Cowley Abbott Fall Live Auction of Important Canadian Art drew a standing-room only audience to the Gardiner Museum on Tuesday, November 19th, the gallery packed with collectors who drove bidding to record levels in several instances through successful sales of select work by Canada’s celebrated historical, post-war and contemporary artists.

    Jean Paul Lemieux, Basse messe, dimanche
    Price Realized: $330,400

    Jean Paul Lemieux’s Basse messe, dimanche, an expansive and immersive museum-level canvas by the key figure of Canadian modernity, captivated visitors to the Cowley Abbott gallery during the weeks of previewing that led to November evening sale. When bidding concluded, the artwork had fetched $330,400, a solid result for the mature work which was featured on the front cover of the fall auction catalogue.

    From the moment of publication of the auction online, excitement surrounded Molly Lamb Bobak’s Highland Games, Fredericton, a large and energetic canvas, portraying a celebratory and energetic scene, a subject which has proven to be Bobak’s most popular with collectors. When the artwork reached the podium, it did not take long for feverish bidding to push competition well beyond pre-sale expectation. When the gavel finally fell, a new auction record had been established for the painter, the final bid reaching $100,300 (all prices include the 18% Buyer’s Premium), more than tripling the pre-sale estimate.

    William Kurelek, Pioneer Homestead on a Winter’s Evening
    Price Realized: $82,600

    The work of William Kurelek also drew strong attention during the fall live auction season. Two paintings appeared at auction with Cowley Abbott for the first time, consigned by the original Toronto collector, who owned them for almost fifty years. The quality and rarity of the pair of paintings led to Pioneer Homestead on a Winter’s Evening fetching $82,600 (exceeding the high-end of expectation) and Brothers selling for $95,000. The strong results continue Cowley Abbott’s tradition of success in the sale of important work by the Ukrainian-Canadian artist.

    The November live auction witnessed solid prices for a wide range of historical Canadian works of art, including the work of: Cornelius Krieghoff (Hudson Bay Trader fetching $47,200); André Biéler (The Market Stall almost doubling the high-end auction estimate to sell for $29,500); Frederick Banting (Inlet, French River selling for $28,320); Clarence Gagnon (La Mare, Baie St. Paul, a 1920 sketch related to a canvas in the National Gallery of Canada, sold for $23,600); and P.C. Sheppard (St. Lawrence Market fetching $23,600), among many others.

    Jean McEwen, Rose traversant les jaunes
    Price Realized: $88,500

    A variety of Post-War and Contemporary offerings also drew competitive bidding during the fall catalogue sale, notably: Jean McEwen’s Rose traversant les jaunes (the canvas fetching $88,500, more than four times the opening bid); Gordon Smith’s West Coast #2 (exceeding the high-end of expectation, selling for $40,120); Autumn Foothills by Takao Tanabe (selling for $37,760); Sorel Etrog’s Small Chair (Hand) (fetching $28,320), Marcel Barbeau’s 1947 Dents de sable à cran d’acier(in excess of the auction estimate’s upper range, selling for $23,600); and Ronald York Wilson’s Untitled (the large canvas almost doubling the auction estimate, achieving $22,420).

    The success of the November live auction continued in the subsequent November and December online sessions, where bidders across Canada and beyond competing for a wide range of work that catered not only to seasoned collectors, but also to new and intermediate clients, continuing to establish their collections.

    Franklin Arbuckle, True Lover’s Leap, Newfoundland
    Price Realized: $30,680 (Auction Record)

    Franklin Arbuckle’s True Lover’s Leap, Newfoundland inspired great excitement nation-wide when the canvas was added to the Cowley Abbott website. The rare and dramatic east coast landscape by the celebrated painter had remained in the same private collection since 1964, Alfred Upton delighted to receive the painting as a retirement gift from Dominion Life Assurance. Upton loved the painting and requested the painting when given the option to choose a token of appreciation when his time with the firm finished. The painting had been purchased by Dominion Life in 1949 to be featured in their yearly calendar that annually featured the work of a different Canadian artist. The work was chosen, in consultation with A.J. Casson, for its quality and also to commemorate Newfoundland joining confederation. True Lover’s Leap, Newfoundland had been exhibited in the 1949 Royal Canadian Academy showing at the Montreal Museum of Fine Arts and was not only reproduced in the exhibition’s catalogue, but was also noted in a Gazette article which discussed the annual show. The debut of the canvas at Cowley Abbott once again had the painting drawing media attention, with a two Newfoundland Telegram articles (found here and here) that followed its record-breaking performance during the auction. The artwork sold for $30,680, more than five times its opening bid and more than double the previous auction record for Franklin Arbuckle’s work.

    Rita Letendre, Antares Glows
    Price Realized: $28,320

    Rita Letendre’s Antares Glows also excited collectors during the online sessions to end the year, the dramatic 1969 canvas selling for $28,320 (exceeding the high end of expectation). Online bidding was furious through the two auctions, leading to stellar prices for artist across the many periods, schools and associations through Canadian history, with results of note including the work of: F.M. Bell-Smith, Frank Armington, A.J. Casson; Frederick Loveroff; Mary Wrinch; Manly MacDonald; Stanley Turner; M.A. Fortin; Malcolm Rains; Jean Paul Riopelle; Art McKay; David Urban; Ron Bloore; Doug Morton; Ken Lochhead; Ted Harrison; Chris Pratt; Maud Lewis; Allen Sapp; and Joe Fafard.

    We extend our thanks to the clients, bidders and buyers who helped to ensure that 2019 was another very successful year for Cowley Abbott. We are already preparing a very exciting schedule of sales for 2020 and look forward to sharing it with you.

  • Consignor Debuts Contemporary Art Auction, Open for Bidding September 19th to 26th

    Auction features diverse range of artworks from Canadian artists including Wanda Koop, Hugh Scott Douglas, John Massey and Bruce LaBruce

    As one of Canada’s premier auction houses that continues to develop its focus towards all periods, schools, movements and aspects of Canadian art, Consignor Canadian Fine Art is pleased to announce its first auction of Canadian contemporary art.  Consignor partnered with renowned Toronto-based artist Jay Isaac to consult and advise on the overall mandate and vision of the sale, to further its commitment to creating a market for contemporary, living artists beyond the gallery realm and presiding institutions.

    Consignor’s first-ever Contemporary Canadian Art Auction will be open for bidding from September 19 – 26, online at consignor.ca. Live previews take place beginning September 17 at the Consignor Canadian Fine Art gallery (326 Dundas Street West – across from the Art Gallery of Ontario).

    Jay Isaac was pivotal in curating and securing works from private collections for the sale.  As someone who has been active in the Canadian art community for over 20 years, his knowledge and involvement in many aspects of the contemporary Canadian art world has allowed him to bring together a concise and deliberate offering of works from some of Canada’s most important and widely collected artists.

    “My interest in organizing and participating in alternative systems of dissemination for Canadian contemporary art is based on need,” said Isaac. “The need for the diverse and multi-faceted contemporary art of Canada to be engaged with critically, socially and commercially by wider audiences.”

    The carefully curated auction will consist of 41 individual works of art ranging from paintings and drawings to photography and sculptural wall works, including pieces by Wanda Koop, Hugh Scott-Douglas, John Massey, Bruce LaBruce, Stephen Andrews, Aurel Schmidt, and Jessica Eaton.

    “Consignor has enjoyed tremendous growth over the past five years with our auctions of Historical and Post-War Canadian Art that have garnered international attention and record-breaking sales,” says Rob Cowley, President of Consignor. “We are pleased to build upon the tradition and diversify our services to feature the important work of contemporary Canadian artists; furthering our desire, as well as the interests of our growing clientele, to provide a comprehensive representation of Canadian art at auction.”

    Consignor is happy to debut an annual award as part of the Contemporary Auction schedule. The award recognizes the work of a contemporary Canadian artist whose artwork, career and efforts within the artistic community continue to be viewed as important and consistent by their peers. The award is also intended to acknowledge methods of working that may be outside of current trends but are viewed to be crucial to the development of ideas and potentially influential to other artists.

    The award recipient was chosen by a jury of three artists whose work is included in the Contemporary Art Auction – Heather Goodchild, Morley Shayuk and Jennifer Murphy. The jury decided upon a pair of recipients to share the first annual award and we are delighted to congratulate Eli Langer and Lisa DiQuinzio as the co-recipients.

    Consignor Canadian Fine Art would like to acknowledge the generous support of Superframe on this project and their contribution to donating framing for several of the works.

    Since its inception in 2013, Consignor’s live and online auctions have included headline-grabbing works such as a rare 100-year-old Tom Thomson portrait (Daydreaming, sold for $172,500), an undiscovered William Kurelek (Ukrainian Proverb, sold for $41,400), and Jack Bush’s Summer Lake broke online auction records in May 2014 for the most expensive painting by a Canadian artist to be sold at an online auction ($310,500). Consignor’s inaugural live auction event in May 2016 set the record for the highest-selling Algoma sketch by Lawren Harris, fetching $977,500, tripling the previous auction record; and most recently, its Spring 2018 live auction featured the sale of William Kurelek’s Hot Day in Kensington Market, the celebrated masterpiece more than doubling pre-sale expectation, fetching a near-record $472,000.

  • The February Online Auction of Works on Paper, Prints & Books: A Guide for Emerging Collectors

    Consignor’s Online Auction of Works on Paper, Prints & Books is a fantastic place to begin for someone new to the world of collecting art. The February sale offers a selection of prints, drawings, oil and watercolour paintings, photography and books to choose from in a broad range of prices, for both the emerging and seasoned collector. Purchasing a work on paper is often a more affordable opportunity to own an original work of art, or a print by a prominent artist whose original works are less accessible.

    Presented below are some great examples of quality artworks offered in the February auction, all of which have estimates below $1000. Browse by your preferred subject matter, from calming landscapes, still lifes and street scenes to bold abstracts and expressive figural works. Keep in mind there is a total of 237 lots in the auction, so please visit our online catalogue for the entire selection.

    LANDSCAPES

    Robert McInnis, Farm in Sunshine

    Lot #219: RFM McInnis
    Farm in Sunshine
    watercolour, 9 x 12 ins
    Estimated: $150.00 – $200.00

    Tom Forrestall, Lumber DealerLot #85: Thomas de Vany Forrestall
    Lumber Dealer
    watercolour, 9 x 12 ins
    Estimated: $700.00 – $900.00

    (more…)

  • Collectable Prints Featured in Consignor’s September Auction

    Within the broad practice of printmaking are several distinct techniques, many of which are included in the Consignor September Auction.

    Consignor’s current Online Auction of Canadian and International art, consisting of 239 lots, offers a vast range of artwork for sale in various media – oil paintings, photography, sculpture and prints.

    Collecting prints is an excellent way to start or build a comprehensive art collection, as well as a way to familiarize oneself with styles and artists at a more accessible price point than other mediums.

    Rita Letendre, SharasMany artists of the Post-War period embraced printmaking, creating images of their modern compositions in multiple copies. Leader of the abstract colourist movement, Rita Letendre produced many silkscreen prints, such as Sharas, lot 56. Also known as serigraphy or screen printing, the silkscreen process consists of a stencilled image placed in a frame, which has a layer of mesh stretched across it, forming a ‘screen’. Ink is then pushed through the stencil onto a sheet of paper. Dating to 1973, Letendre’s Sharas serves as a prime example of her signature style of hard-edge abstraction.

    Jean Paul Riopelle, Les Oies IILithography has also been a popular printmaking method among 20th century Canadian artists. Jean Paul Riopelle frequently worked in this medium, creating abstract and quasi-abstract images such as Les Oies II, lot 58 in the September auction. In this process the artist draws an image onto stone with a grease-based medium, then applies ink to the stone, which adheres only to the image. The stone is then run through a press onto a sheet of paper. The online auction features two lots of rare black and white lithographs by Henri Masson of Quebec village scenes. These charming prints, lots 91 and 92, are examples of the artist’s very limited body of work in printmaking.

    Ed Bartram, CycleA very old form of printmaking that is still used today is etching. Using a needle, the artist scratches a composition onto a metal plate covered with wax. The plate is then submerged in acid, which eats into the metal exposed by the scratched lines. Etching has often been used to achieve very delicate black and white images, such as lot 155 by Caroline Armington, a pair of etchings depicting two of Paris’ famous bridges. A more contemporary rendering of the etching technique is lot 54, Cycle by contemporary Canadian artist Ed Bartram.

    Harold Town, UntitledPurchasing prints at auction are also an excellent and accessible way to collect the work Canada’s most renowned artists. Lots 64, 81 and 90 by William Kurelek, Harold Town and Ted Harrison respectively, provide the opportunity to own a composition in these painters’ distinct styles, as their prints are more readily-available and affordable when compared to original works.

    Consignor’s September Auction of Canadian and International art includes many excellent examples of traditional printmaking methods used by Canadian artists. Buying prints at auction is also a fantastic platform for the emerging collector. Visit our website and view our full online catalogue for more details on the available works and upcoming sales.